Journalist, Author & Syndicated Columnist
It wasn’t until recently that the five young actor/filmmakers who made the clever and hilarious “Bottle Rocket” learned that their producer, James L. Brooks, hated their first presentation to him. “I asked Jim, `So, what did you think of that reading we gave?’ ” said co-writer and co-star Owen Wilson, 27, one of three brothers involved in the project. “He said, `It was the worst one I ever heard in my whole life.’ ”
Jackie Chan’s stunt man has the easiest job in film. All of Chan’s action films are full of dangerous free falls, explosions and rapid-fire kung fu fighting, but the stunt man doesn’t have to participate in any of them. Chan insists on doing all the stunts himself and uses his stunt man more as a double. “I believe all the people who come to my movies buy tickets not to see the double,” said Chan. “They want to see me do everything, which is why I do all my own stunts. My double does things like run from a car into a store.”
Jackie Chan isn’t the only Asian actor ready for the big screen. After decades of being relegated to roles playing houseboys or, worse yet, losing roles to Caucasian actors made up to look Oriental, actors of Asian descent finally are getting their time on the big and little screens in America. Heck. Even the all-American hero, Superman, is played — on TV — by Dean Cain, who is part Japanese.
Chita Rivera made a triumphant return Wednesday evening when “Kiss of the Spider Woman” opened a five-night run at the Chicago Theatre. Dancing up a storm and singing in perfect voice, the 63-year-old Broadway star gave a smoldering performance that made all the difference in the world. Last year when the musical opened at the same theater, Rivera’s understudy took her place on opening night after Rivera injured her leg. And while all the actors did a fine job, the show was lackluster and I left feeling bored. Not so this night. Regal and poised, Rivera (who won a 1993 Tony Award for her role) started and closed the show with a standing ovation.
Kravitz fares best when he sticks to four-minute rock songs. The lengthy jams have got to go. Unlike some of his critics, Lenny Kravitz doesn’t view it as a problem that some of his music is reminiscent of songs by the Beatles, Jimi Hendrix, Smokey Robinson or Led Zeppelin. Rather, the sinewy musician flicks away any comparisons – good or bad – as easily as he tosses aside his long dreadlocks and keeps writing songs with strong backbeats and deliciously catchy pop hooks.