`Frasier Fair’ would give men their own tour
The women have Lilith Fair. And if singer-songwriter Steve Poltz gets his way, the men will have Frasier Fair.
Journalist, Author & Syndicated Columnist
The women have Lilith Fair. And if singer-songwriter Steve Poltz gets his way, the men will have Frasier Fair.
Multimedia star Oprah Winfrey can add cover-girl queen to her list of credits. A longtime fixture on TV Guide, People and women’s magazines, Winfrey graces the cover of both the October Vogue and this week’s Time magazine. Both are timed to hype the opening of her film “Beloved” next month.
“No land on Earth possesses more wonder than Egypt,” narrator Omar Sharif notes in “Mysteries of Egypt,” the latest Omnimax film to play at the Museum of Science and Industry. And the film certainly plays up some of those wonders: the ancient Pyramids, King Tutankhamen’s sacred tomb and the glorious, winding stretch of the Nile. But what the movie lacks is the excitement and splendor of previous Omnimax films such as the superb “Everest.”
There’s one thing I don’t ever want to see in a women’s room — a man. Ever since “Ally McBeal” hit it big on Fox, talk around the water cooler has centered on two things: the brevity of our heroine’s hemline and the uncomfortable concept of the coed bathrooms that the attorneys share on the show.
Imagine that the Russians took over America in 1957, nirvana is a place called Lost Vegas and the leader of the Western world is Elvis Presley. When he dies in 1997, every guitar-playing, sword-swinging maverick worth his weight in blue suede shoes heads to Vegas to become the next King of Rock ‘n’ Roll.
The October issue of Playgirl screams “Leonardo DiCaprio Nude!” But that’s not the whole truth. The slender star did not pose nude for the magazine. Rather, the magazine printed stills from 1995’s “Total Eclipse,” a little-seen art-house film in which he portrayed bisexual poet Arthur Rimbaud.
You have seen “Knock Off” before. And you didn’t like it then, either. Sure, it may have had a different title and maybe a Dolph Lundgren or a Brandon Lee in the starring role instead of Jean-Claude Van Damme. But the premise has always been the same: The charming, vaguely shady hero is caught in a web of deceit where no one is what they claim to be. (In Van Damme’s case, that would be an actor.)
This spare duo delivers a cohesive, 15-track follow-up to 1996’s As Good as Dead. Equal parts sardonic brat (”All the Kids Are Right”), realist (”She Hates My Job”), and dreamer (”Lucky Time”), vocalist Scott Lucas also cranks out the best crunchy guitar licks since Cheap Trick’s heyday. Grade: A-
Cathy Rigby is a two-time Olympian and a Tony Award nominee. But ask the former gymnast what frightens her the most and she’ll answer without missing a beat. “The thought of my 16-year-old daughter driving . . . alone,” Rigby said in a phone interview from Los Angeles. “I’ve been through it before, but you never really get used to it.”