Journalist, Author & Syndicated Columnist
When most of us think about forensics, we flash to images of body fluids, hair and fiber. But when Court TV’s Mobile Investiga-tion Unit rolls into the Lincolnwood Town Center in Lincolnwood today, it’ll be more of a flour and sugar whodunit.
In 1976, Yann Arthus-Bertrand was a journalist dabbling in photography. Then 30, the Frenchman, his wife and their two small children moved to Kenya to study the behavioral patterns of the lions living on the Masai Mara reserve. “At this time, I was mainly a journalist,” says Arthus-Bertrand, phoning from New York. “But I began to understand there was a lot I could do with photography that I can’t do with text. My wife and I began collaborating–me doing the photography and she writing the text.”
John Leguizamo has figured out a way to keep his family happy after they see his skewering interpretation of them in his one-man shows. “I buy them really nice gifts,” Leguizamo jokes.
Friendship isn’t the first word most people would think of to describe the World War II epic “Windtalkers,” which opens Friday. But it pops up frequently when the film’s stars Nicolas Cage and Adam Beach, and their director, John Woo, get together to discuss the movie. “I knew very little about this part of history,” says Woo. “That is one reason why I wanted to make the film. It was important to me to show how important the Navajo Americans were to World War II. But I also wanted to show the camaraderie and friendship between the men–the respect that they gain for each other in a very difficult time.”
Shortly after “Clockwatchers” was released in 1997, director Jill Sprecher was back to work … as a temp. It’s no coincidence that the script–which focused on four temps unhappy with their jobs–was written by Sprecher and her younger sister, Karen.
Matt Damon has portrayed All American boys (“Good Will Hunting,” “All the Pretty Horses”), gaunt junkie soldiers (“Courage Under Fire”) and creepy thin killers (“The Talented Mr. Ripley”). But unlike his good friend Ben Affleck, who showed off his action hero prowess in “Armageddon,” “Pearl Harbor” and “The Sum of all Fears,” Damon has been slow to capitalize on his hunk factor.
“A predator is a predator and if he is guilty, no matter if he pumps gas or sells millions of albums, he should be treated as such.” —Caresse Henry, Madonna’s manager
Back when the Goo Goo Dolls debuted, they were a straggly threesome that put little thought into on-stage wardrobe. They just rocked the house like the best little garage band from Buffalo, N.Y., that they were. These days, the look is more refined with expensive haircuts, leather pants and even a little eye liner. But the sound hasn’t changed much. Sure, there are more ballads than before, but the deliciously raucous rock ‘n’ roll spirit remains the same.
The opening of “Undercover Brother” perfectly sets the tone for this comedy. Driving a vintage Cadillac, Undercover Brother has one hand on the steering wheel and the other holding a filled-to-the-rim drink. As the car executes a few 360-degree spins to avoid a car crash, our cool hero has a smile plastered on his face and not a hair of his retro ‘fro out of place. Not a drop of the soft drink spills on the car’s upholstery.
Exactly how do you sell a tragedy? A handful of entrepreneurs already has figured it out. The Australian fashion chain Quick Brown Fox carries a line of beaded handbags depicting planes crashing into the World Trade Center. One can be yours for about $87.