“The King: Eternal Monarch” (더 킹: 영원의 군주)

“The King: Eternal Monarch” was Lee Min-Ho’s comeback drama after finishing his mandatory military service in 2019. Beautifully shot and well acted by the lead actors, the series nonetheless is a bit of a hot mess when it comes to the meandering plot.

“Mouse” (마우스)

If there was a test that determined whether your unborn child carried a psychopath gene, would you trust it enough to terminate your pregnancy? Or would you believe that regardless of your child’s genetic makeup, you could raise him to be a good person who wouldn’t grow up to be a killer? Would you trust nurture or nature?

“Juror 8” (배심원들)

In 2008, South Korea held its first ever trial by jury in Dageu. In that trial, jurors deliberated for two hours before deciding that the 27-year-old man accused of robbing and assaulting a 70-year-old woman in her home was guilty. “Juror 8” is not a fictionalized version of those events. Rather, it’s a story about a man who plead guilty to murdering his mother and the first Korean jury that will determine his sentence. 

“Hard Hit” (발신제한)

Seung-Gyu is an upper middle class bank manager who’s driving his children to school. While the kids bicker in the backseat, he answers a phone he doesn’t recognize. At first, he assumes it’s his wife’s phone and that the caller is trolling. But when the calls don’t stop, he worries about the what ifs. What if the caller isn’t lying? What if a bomb really will explode if he gets out of his car? What if?

Go Away With … Mariel Molino

“I had a beautiful childhood in California and my parents worked very hard and provided a lot of opportunities for us,” said Mariel Molino of ABC’s “Promised Land.” ” Because of this, some of the kids in our community would sometimes ask me if my parents were drug dealers or in the Mexican Mafia. It took me some time to be proud of my heritage. I wanted so badly to be all American – whatever that meant – because it would mean we wouldn’t stick out.”

Go Away With … Cassandra Freeman

“I’m currently shooting ‘Bel-Air’ in Los Angeles and my family is still in Brooklyn,” said Cassandra Freeman, who portrays Aunt Viv in the Peacock reboot of the Will Smith series. “It has been incredibly hard. I work all day and then can’t go anywhere because of Covid, so not to have my family just a quick plane ride away has been most difficult.”

How “All of Us Are Dead” Uses a Zombie Attack to Examine Korean & Global Issues

There’s a lot to unpack underneath the surface of Netflix’s hit zombie thriller. Here are six examples of how “All of Us Are Dead” utilizes the zombie genre to reflect on societal issues that are reflected around the world, with a focus on some issues unique to South Korea.

Go Away With … Reagan To

“I wasn’t told about the violent scenes with the doll [in ‘Squid Game’], so all I was imagining was a friendly doll that was staying calm but was getting more excited to play,” said Reagan To, 10. “I was thinking back to when I was playing with my friends back in school, and that helped me to create a young and innocent voice. I think that made the character even more scary and creepy.”

“The Hymn of Death” (사의 찬미)

“The Hymn of Death” is a bittersweet three-hour mini-series that tells the real-life story of Yum Sim-Deok — Joseon’s first soprano — and Kim Yoo-Jin, a renowned writer and playwright. Set during the period when Korea was under Japanese rule, the tragic story is familiar to many Koreans. 

In town with Brian Lane Green

Brian Lane Green is sitting at a coffee shop not far from his Gold Coast hotel. He is oblivious to the second looks he attracts from other patrons. He’s too busy digging into his bowl of soup. “When you run around on stage every day wearing a loincloth, you are very conscious of what you eat,” says Green with a laugh. “I have a tendency to be round. Luckily, my muscles have memory, so they pop out during the shows.”

“Silenced” (도가니)

Based on Gong Ji-young’s 2009 novel, “Silenced” is a brutal look at the systematic torture of children at a facility for the hearing impaired. Though Gong’s book is fictional, the stories she tells are based on the decades of real-life abuse that handicapped students endured at the Gwangju Inhwa School for the Deaf.