“Rebound” (리바운드)

“Rebound” is based on the true story of Busan’s Jungang High School basketball team. Long past its glory years, the team isn’t a priority for the school’s administration. They hire a young and inexperienced basketball coach, Yang-hyun (Ahn Jae-hong), who during his own Jungang school days was a champion athlete.

“The Uncanny Counter 2” (경이로운 소문 2)

This second season of “The Uncanny Counter” is good enough. But it is also a reminder that K-dramas are traditionally made to finish after one season. With the influx of Western streaming sites that have figured out how lucrative Korean shows can be, there have been more shows going into their second (or even third seasons). And while I was one of the viewers who had hoped for a second season of this series, I acknowledge that it may have been best to just leave things as they were.

Go Away With … Kim Sejeong

“It’s fun to write lyrics inspired by travel because I feel like the concept of travel is quite similar to life in terms of new challenges,” said “The Uncanny Counter” star Kim Sejeong. “I’ve written tracks for this album over the past two years, so I believe my trips have been blended into the lyrics.”

“Midnight Runners” (청년경찰)

A thoroughly entertaining cop-buddy film, “Midnight Runners” does a great job of blending comedy with action, while delving into the world of human trafficking and organ harvesting. The film is driven by the camaraderie between musclehead Ki-joon (Park Seo-joon) and nerdy by-the-book Hee-yeol (Kan Ha-neul).

Go Away With … Jose Llana

Jose Llana is excited to reprise his role in the David Byrne and Fatboy Slim Broadway musical “Here Lies Love.” “I play President Ferdinand Marcos [who was] the husband of Imelda Marcos,” said Llana, who had previously earned a Lucille Lortel Award nomination for his portrayal of Marcos during the show’s Off-Broadway run.

The Rose, Lollapalooza & Rock ‘n’ Roll

“Our goal as artists is for everyone who comes to our shows — no matter what age, what gender — to feel included,” said The Rose frontman Woosung. “That’s the energy we want at our concerts. We want it to be this happy place, a garden of roses where you’re enjoying music together with all kinds of different people and everybody feels safe.”

Go Away With … Beth Bombara

When the pandemic derailed Beth Bombara’s plans to tour, she took that time to concentrate on new music. It was then that she rediscovered a neglected guitar she had stored away, which became instrumental in her songwriting process. It was a classical guitar, “[which] means it looks like an acoustic guitar, but it has nylon strings and a nice warm tone,” she said

“D.P.” (디피): Season 2

What both seasons of “D.P.” does so well is tell the important and uncomfortable stories that no one wants to believe are true. When soldiers are regularly humiliated, degraded and tortured, what right does anyone have to tell the victims that they must return to their abusers?

“See You in My 19th Life” (이번 생도 잘 부탁해)

“See You in My 19th Life” delves into reincarnation. And as it does so, it drives home the point that even if you are assured of living more than one life, what’s important is that you live your best life, rather than muddling through and wasting time.

Go Away With … SHOWNU X HYUNGWON

It is midnight in Seoul when Shownu and Hyungwon log on for our Zoom interview. Despite the late hour – which they chose, rather than asking western media to stay up late for them – the two members of the South Korean group Monsta X show no signs of fatigue. They are dressed in immaculate white T-shirts and easily riff off each other as they share their views about their music and life in general.

The 100 Greatest Songs in the History of Korean Pop Music

What follows is not only the story of Korean popular music, and how it birthed the K-pop business, but also how a small peninsula nation learned how to make art in the face of colonialism and political change, culled sonics from all corners of the globe, and keeps striving to find new ways of distilling the purest, most thrilling aspects of the human experience into four-minute packages of pop revelation. For Rolling Stone.