“Cyber Hell: Exposing an Internet Horror”

The Nth Room targeted Korean women in a lower socio-economic class who needed money. They also set their marks on underage girls, who were too young to handle what they had been tricked into. These crimes are continuing, but now with with teenage boys at the helm.

American melancholy: The real loss in “Past Lives” isn’t love

In the Academy Award-nominated film “Past Lives,” the Korean concept of inyeon is used to lead viewers into believing that Nora (Greta Lee) and Hae-sung (Teo Yoo) are destined to be together – if not in this lifetime, then in the future. Or perhaps they were together in a distant past that neither can recall. The introduction of the word leaves moviegoers hoping that these two can have a happily-ever-after ending, despite his living in Seoul, 7,000 miles from her apartment in New York City.

“Champion” (챔피언)

If you watched Sylvester Stallone’s 1987 arm wrestling film “Over the Top” and hated it, don’t let that deter you from giving “Champion” a shot. Starring Ma Dong-seok (“Train to Busan,” “Eternals,” “The Roundup” films), the buff actor has a knack for comedy.

“The Gangster, The Cop, The Devil” (악인전)

“The Gangster, The Cop, The Devil” is not a good film, but it’s watchable because its star is Ma Dong-seok. The burly actor stars as a mob boss whose street credibility takes a beating when he is nearly killed by a floppy-haired serial killer (Kim Sung-kyu) — whose modus operandi is rear-ending drivers and then savagely stabbing them to death.

“Rebound” (리바운드)

“Rebound” is based on the true story of Busan’s Jungang High School basketball team. Long past its glory years, the team isn’t a priority for the school’s administration. They hire a young and inexperienced basketball coach, Yang-hyun (Ahn Jae-hong), who during his own Jungang school days was a champion athlete.

“Midnight Runners” (청년경찰)

A thoroughly entertaining cop-buddy film, “Midnight Runners” does a great job of blending comedy with action, while delving into the world of human trafficking and organ harvesting. The film is driven by the camaraderie between musclehead Ki-joon (Park Seo-joon) and nerdy by-the-book Hee-yeol (Kan Ha-neul).