Film Reviews (Index)
Click on the photo or the title to read my reviews. Enjoy!
Category: Film
Don’t believe the K-dramas: Look to “Return to Seoul” for a more realistic view on Korean adoptees
In the superb “Return to Seoul” – which is Cambodia’s Oscar entry for the Best International Film category – French Cambodian filmmaker Davy Chou (“Golden Slumbers”) takes a look at what it means to be an adoptee who unexpectedly is reunited with her birth parents.
“The Dude in Me” (내안의 그놈)
“The Dude In Me” is a 2019 Korean fantasy film that centers on a high-ranking gangster and a high school student. When the latter accidentally falls from his school roof, he lands on the mobster. While neither dies, the mishap somehow switches the pair’s bodies and minds. Now, wiseguy Pan-soo is trapped in the body of chubby and bullied teenager Dong-hyun, while Dong-hyun is stuck in Pan-soo’s comatose body.
A Brief History of K-cinema
For many Westerners, Korean cinema didn’t enter their consciousness until the unparalleled success of the film “Parasite: in 2019. The gripping film deals with socio-economic discrepancies specific to modern-day South Korea, but the clever and sometimes brutal storyline hit a nerve with filmgoers worldwide. The film won the Palme d’Or at the Cannes Film Festival, an Oscar for Best Picture at the Academy Awards, and a BAFTA for Best Film Not in the English Language at the British Academy of Film and Television Arts.
“Seoul Vibe” (서울대작전)
“Seoul Vibe” is full of backstabbing, murder and mayhem. Director Moon Hyun-sung does a commendable job at keeping the plot moving, but he knows that the wild car chases are the key to this movie.
“Emergency Declaration” (비상선언)
In the span of time it takes for a plane to fly from Seoul to Honolulu — approximately nine hours — a psychopath boards an airplane at Incheon International Airport and releases a deadly biological pathogen onboard, which results in passengers getting sick and/or dying (and turning on each other). And, oh yeah, scientists on the ground develop an antigen to combat the virus.
“The Roundup” (범죄도시2)
“The Roundup” is an action-packed sequel to the 2017 film “The Outlaws.” Often times brutal and very bloody, the movie also has its share of slapstick comedy thanks to its affable star Ma Dong-seok.
“Juror 8” (배심원들)
In 2008, South Korea held its first ever trial by jury in Dageu. In that trial, jurors deliberated for two hours before deciding that the 27-year-old man accused of robbing and assaulting a 70-year-old woman in her home was guilty. “Juror 8” is not a fictionalized version of those events. Rather, it’s a story about a man who plead guilty to murdering his mother and the first Korean jury that will determine his sentence.
“Hard Hit” (발신제한)
Seung-Gyu is an upper middle class bank manager who’s driving his children to school. While the kids bicker in the backseat, he answers a phone he doesn’t recognize. At first, he assumes it’s his wife’s phone and that the caller is trolling. But when the calls don’t stop, he worries about the what ifs. What if the caller isn’t lying? What if a bomb really will explode if he gets out of his car? What if?
“Silenced” (도가니)
Based on Gong Ji-young’s 2009 novel, “Silenced” is a brutal look at the systematic torture of children at a facility for the hearing impaired. Though Gong’s book is fictional, the stories she tells are based on the decades of real-life abuse that handicapped students endured at the Gwangju Inhwa School for the Deaf.
“Cheese in the Trap: The Movie” (치즈 인 더 트랩)
Based on the 2016 K-drama, “Cheese in the Trap” — which was based on the webtoon of the same name — this film adaptation is a good primer, but it’s lacking in telling the characters’ full stories.
“The Way Home” (집으로)
“The Way Home” is a bittersweet film about a young Seoul boy who is forced to spend the summer with his grandmother, who lives in the countryside. It’s not a quaint rural area that rich folks like to vacation in. Rather, it’s a small village where the bus comes on a irregular schedule and an angry cow chases little children.
“Tune in for Love” (유열의 음악앨범)
Set in the 1990s, “Tune in for Love” is a beautiful slice-of-life film focused on a young couple who meet as teenagers, lose touch, and reunite on and off throughout their twenties.
“The Bros” (부라더)
Seok-Bong and Joo-Bong are estranged brothers who reunite for their father’s funeral. Neither one remembers having a close relationship with anyone in their family and dread the thought of spending time with them.
“Hit-and-Run Squad” (뺑반)
I’m so used to seeing Jo Jung-Suk play the good guy (“Hospital Playlist,” “Oh My Ghost”) that it was fun to watch him chew up the scenery as a bad-boy rich guy who is brutal, immoral and nasty.
Former “Twilight” Star Justin Chon Unpacks His New Movie “Blue Bayou”
“One of my objectives in filmmaking is to bring empathy and understanding to our community,” said “Blue Bayou” writer, director and star, Justin Chon.
“Kingdom: Ashin of the North” (킹덤: 아신전)
“Ashin of the North” is screenwriter Kim Eun-Hee’s concession to “Kingdom” fans, who are eagerly awaiting the third season of the popular Netflix series. This stand-alone episode — or film, depending on how you view it — is entertaining, but not nearly of the same caliber of storytelling as the first two seasons of this zombie period piece.
“Space Sweepers” (승리호)
“Space Sweepers” has a lot of things going for it — great acting, cinematography, special effects. But once you’re done oohing and ahhing at the visual onslaught, it’ll sink in that what the film lacks is a cohesive storyline.
“Minari” Star Alan S. Kim Talks BTS, Teenagers, and Oscars 2021
“Minari” star Alan S. Kim — just turned 9 — is going to wear “a tuxedo or something” to tonight’s Oscars ceremony.
“Minari”: Deconstructing the American Dream
Lee Isaac Chung is an astute filmmaker, who pays close attention to the smallest details. With “Minari,” he has created a universally relatable film, while inserting elements that are specifically Korean.