Journalist, Author & Syndicated Columnist
A fast-moving action film, “Yaksha: Ruthless Operations” is a spy thriller full of special ops, backstabbing and political intrigue. Last year, I stopped watching about 20 minutes into the movie, because it didn’t hold my interest. But when I went back to it this year, I found it to be thoroughly entertaining. Is this a prestige film? Absolutely not. But it was a fun ride with a (straight-laced) fish-out-of-water concept.
“Unlocked” came out a few months after the Korean series “Somebody.” Both revolve around cunning, good-looking serial killers who utilize technology to hack their way into their victims’ lives. In this 2022 film, the cell phone is the device of choice.
Back in my era, the teachers encouraged immigrants to only speak English at home so that we wouldn’t fall behind. But what they didn’t know at the time — or perhaps they didn’t really care about — was that in the rush to make us understand English, many of us lost our ability to converse in our birth language.
“It’s my dream to travel around the world and play with local musicians playing their traditional instruments,” Suga says in his documentary Suga: Road to D-Day. “It’s my dream to record them and make music based on that.” But he has trepidation, too. “I worry that I won’t have anything to talk about,” Suga says. “I have fears that I have no more dreams to follow.”
“j-hope IN THE BOX” is told in a non linear way, starting in Seoul 52 days before j-hope’s performance at Lollapalooza, where he made history as the festival’s first Korean headliner — a feat that even he found surprising. The lead up to the concert — which fans dubbed Hobipalooza — depicts the pain the rapper took to ensure that his debut as BTS’ first solo artist would be nothing short of perfection.
In an unusual cinematic coincidence, two critically acclaimed films about South Korean adoption were released in December depicting different sides of the adoption story. Broker focuses on a teenage girl who leaves her infant at a church’s safe haven baby box, while Return to Seoul tells the story of a French woman who reunites with her birth family just days after arriving in Korea. To better understand how these films speak to real-life adoptees, I talked to Korean academics, human rights experts, and adoptees. My reported piece for MASHABLE.
“Midnight” is a fast-paced thriller that hits all the jump scares: A mother and daughter who cannot hear or speak are stalked by an insatiable serial killer. The film is a testament to the strength of the powerless and their will to survive.
In the superb “Return to Seoul” – which is Cambodia’s Oscar entry for the Best International Film category – French Cambodian filmmaker Davy Chou (“Golden Slumbers”) takes a look at what it means to be an adoptee who unexpectedly is reunited with her birth parents.
“The Dude In Me” is a 2019 Korean fantasy film that centers on a high-ranking gangster and a high school student. When the latter accidentally falls from his school roof, he lands on the mobster. While neither dies, the mishap somehow switches the pair’s bodies and minds. Now, wiseguy Pan-soo is trapped in the body of chubby and bullied teenager Dong-hyun, while Dong-hyun is stuck in Pan-soo’s comatose body.
