Journalist, Author & Syndicated Columnist
The only thing super about “Super 8 1/2” is in its title. A low-budget flick that the filmmakers describe as a “faux documentary of sorts,” the movie is supposed to be to pornography what “Spinal Tap” was to heavy metal music – a witty sendup.
Russell Wong has been recognized. Best known for his role as the cruel, playboy husband in “The Joy Luck Club,” the 6-foot actor seems oblivious to the gawking female guests at the Four Seasons Hotel. He’s more interested in finishing his fruit salad and peppermint tea. Wong, who stars as Jian-Wa Chang in the syndicated series “Vanishing Son,” took a breather to chat with us during his first trip to Chicago.
The yakuza – the Japanese equivalent of the Mafia – has achieved notoriety of romantic proportions in films such as “Black Rain” and “The Yakuza.” But in his brilliantly clever “Minbo – Or The Gentle Art of Japanese Extortion,” director-writer Juzu Itami presents the group as nothing more than a bunch of thugs who take pride in chopping off bits of each other’s pinkies and think nothing of hiding cockroaches in food to blackmail restaurants for hush money.
Sarah Jessica Parker has gone from being a four-eyed Square Peg to one of Hollywood’s sexiest stars. Thanks to genetics, she can shun the Stairmaster and still balance on that unfair line of being reed-thin but shapely.
Crispin Glover, a character actor, also is quite the character. He once lived in an apartment painted all black, kept an operating table rumored to have been used for gynecological exams in his living room and gave new meaning to the word “hyper” when he greeted David Letterman with a kick-boxing move that got him booted from the show.
If male directors had made “Erotique,” the film would have been called soft-core porn. But because women were employed to direct the movie’s three vignettes, “Erotique” is being billed as “intelligent erotica.” Whatever. The result is the same – a film where sex is more important than content and where women’s – not men’s – bodies serve as the primary objects of titillation.
Chris Isaak used to joke that he had less screen time in the three films he’s been in so far than in the video for his breakthrough single, “Wicked Game.” Those days are gone. The San Francisco-based singer-actor stars as the father of a young boy believed to be a reincarnated Buddhist teacher in Bernardo Bertolucci’s “Little Buddha” (now playing in Chicago at the Fine Arts). Last year, Isaak took a break from recording for filming in Nepal and Seattle.
When the producers started auditions for the film “Backbeat,” they saw more than 100 actors for the role of the “forgotten Beatle” Stuart Sutcliffe, at least 50 actresses for the part of his German girlfriend Astrid Kirchherr and dozens of other actor-musicians for the other members of the Fab Five. But when it came time to cast the role of 19-year-old John Lennon, they saw only one actor – Ian Hart.
The Last of the Mohicans is as much a love story as it is a tale of how the West was won — by some people, that is, the poor Mohicans not being among them. Set in 1757, during the American colonial wars between the English and French settlers of North America, the movie stars Daniel Day-Lewis as Hawkeye, a frontiersman who agrees to escort Clara (Madeleine Stowe) and her sister to the fort where their British-officer father awaits them.
When an actor plays his role so well that his buddy’s mom refuses to speak to him, he knows he has done his job. “After the screening of `Juice,’ my mother couldn’t even look at Tupac (Shakur, who plays Bishop), much less speak to him,” said Khalil Kain, whose character, Raheem, has a tragic falling out with his friend Bishop. “Even though that’s an irrational feeling, I certainly understand it. Certain scenes between Bishop and Raheem were intense even for me, and I knew how everything was going to turn out.”