“Kingdom: Ashin of the North” (킹덤: 아신전)

“Ashin of the North” is screenwriter Kim Eun-Hee’s concession to “Kingdom” fans, who are eagerly awaiting the third season of the popular Netflix series. This stand-alone episode — or film, depending on how you view it — is entertaining, but not nearly of the same caliber of storytelling as the first two seasons of this zombie period piece.

“Minari”: Deconstructing the American Dream

Lee Isaac Chung is an astute filmmaker, who pays close attention to the smallest details. With “Minari,” he has created a universally relatable film, while inserting elements that are specifically Korean.

“To All the Boys: Always and Forever” Review: A Beautiful Vacation

While “To All the Boys” author Jenny Han may have no desire to write a fourth book in this series, wouldn’t it be fun if Kitty got a spinoff? She could move to Seoul to become a K-pop trainee, learn Korean, and reunite with her crush Dae (Jeon Ho-Young). TATB doesn’t have to end with Lara Jean and Peter. With a little bit of tweaking, it can go on always and forever.

“Seoul Searching”

Once “Seoul Searching” gets past the caricatures, the story delves into the deeper meaning of what it means to be Korean in societies that view you as a perpetual foreigner. Though the film concentrates on Korean Americans, two of the more memorable characters are Korean teens raised in Germany (Klaus, played by Teo Yoo) and Mexico (Esteban Ahn’s Sergio).

“Train to Busan” (부산행)

“Train to Busan” does a great job at depicting how people deal with death during unthinkable times. When your loved one is infected and your only option is to perish (as human beings) with them or kill them so that you (and others) can survive, what would you do?

“Parasite” (기생충)

“Parasite” has already made history for South Korea as the country’s first film to win a Best Picture Academy Award. There are some moments I can’t wrap my head around though, and one of them was the inclusion of Illinois State into the dialogue.