“My Love, Don’t Cross That River” (님아, 그 강을 건너지 마오)

“My Love, Don’t Cross That River” is a love story that shows there is beauty to be found in everyday life, even with death looming. A languid documentary about an elderly couple that has been married for more than 70 years, the 86-minute film — which is both tranquil and heartbreaking — is deftly directed by Jin Mo-Young.

“Be With You” (지금 만나러 갑니다)

If you could re-live a part of your life, knowing that the time you had with your loved ones would be fleeting, would you risk it? The Korean feature film “Be With You” (지금 만나러 갑니다) offers this intriguing concept. It wasn’t perfect, but it made my heart hurt … and happy.

“Way Back Home” (집으로 가는 길)

The first Korean film to be shot in the Caribbean, “Way Back Home” was shot in a real women’s prison, with some of the actual guards and detainees serving as background characters. The filmmakers clearly believe that while Jang Mi-Jeong (the woman on whom the movie is based) may have been guilty, her crime was less egregious than the way the Ministry of Foreign Affairs handled her case.

“Ode to My Father” (국제시장)

In a review that ran in the New York Times, film critic Jeannette Catsoulis gave “Ode to My Father” a big thumbs down for being “syrupy” and for having “packaged pain … likely to leave Western audiences cold.” While there is no doubt that director Yoo Je-Kyoon would’ve loved for American audiences to embrace his movie, it’s also undeniable that this film was not made with Western moviegoers in mind. It was made for Koreans.

“Secretly, Greatly” (은밀하게 위대하게)

“Secretly, Greatly” starts off as a comedy and veers off into a drama with a graphic, violent ending. Had the film stuck to one genre, the result would’ve been more cohesive and effective. Still, it’s a worthwhile film that will keep viewers on the edge of their seats. Kim Soo-Hyun shows impressive range in his dual portrayal of a North Korean spy and the dimwitted village idiot that’s his cover.

“Always” (오직 그대만)

Don’t let this sunny photo fool you. “Always” (오직 그대만) just about broke my heart. Both So Ji Sub and Han Hyo Joo are appealing in their roles. They convey the right emotions, without being maudlin or resorting to histrionics. Some might say that the ending was cheesy, but I found it to be delightful and full of hope.