Journalist, Author & Syndicated Columnist
“Inspector Koo” starts off strong, with a whip-smart teenage serial killer manipulating her victims, teachers and the police. She is as much a sociopath as a psychopath, which is explained away during a backstory that involves childhood trauma.
In many ways, “Nevertheless” is a primer for how women are manipulated into diminishing their own wants and desires for a man.
Aigoo or aegyo? Sunbae or hoobae? Is there anything more frustrating than watching a K-drama and not understanding what’s going on, even when you have the subtitles turned on?!
“Having been raised using Korean in her family, a Korean American journalist said that she still struggled to speak Korean fluently, and this experience led her to question why Korean entertainment writers and consumers failed to question improbable stories, such as that of ‘Vincenzo,” Lee Kyung-eun — the director of Human Rights Beyond Borders — wrote in her OpEd piece. The journalist she is talking about … is me.
Hwang Jung-Eum is one of my absolute favorite actresses. I love everything about her, especially the forthright way she delivers her dialogue. Her chemistry with both leading men is on point and viewers can see the family-like dynamics shared by the trio. Choi Won-Young and Yook Sun-Jae are superb actors whose subtle (and overt) mannerisms speak to viewers without them having to utter a word.
Even if you’ve only watched a few K-dramas, you’ve probably noticed the preponderance of product placements in many of your favorite series. Do they bother you? Or are they just part of the K-drama fun?
There’s something to be said about the classic K-drama format with the second lead syndrome, the white truck of death, the over-the-top chaebols and, most importantly, the one-and-done season that ends after 16 to 20 episodes.
“Having diverse characters leads to endless possibilities for storytelling. And there are infinite ways to tell an adoptee’s story…”
Director Yeon Sang-Ha (“Train to Busan”) adapted “Hellbound” from his own webtoon of the same name. He makes it clear that cults are the true sinners, which manipulate people’s lives with fear. And that hell isn’t necessarily a place foreign to us, because it’s where we may already be living.
Being an ajeossi isn’t a pejorative. As Gong Yoo, Hyun Bin and Lee Jung Jae have proven, there is beauty to being successful and in demand in your late 30s and beyond. More power to these fine gentlemen.