“Sweet Home” (스위트홈)

“Sweet Home” has some incredible highs. But unlike “Kingdom” or “Uncanny Counter,” where action supplements the storyline, “Sweet Home” has too much mediocre filler to make it a truly great K-drama.

“Lovestruck in the City” (도시남녀의 사랑법)

Most of the characters in “Lovestruck in the City” would’ve benefited with some therapy to work things through and move on from unhealthy relationships that should’ve been severed early on.

“Kingdom” (킹덤)

Like “Train to Busan,” “Kingdom” was released well before the coronavirus outbreak cause pandemonium worldwide. Both are sociopolitical projects disguised as zombie horror thrillers, where those in power don’t try to prevent the outbreak, so much as they try to stop news of the outbreak from being released. The public’s ignorance suits their own needs.

“Run On” (런 온)

There are several subplots percolating in “Run On,” but the most interesting was the bullying, especially in light of the accusations of real-life bullying scandals surrounding idols and actors. This K-drama offers a perspective that bullying is a part of Korean hierarchy, and those with wealthy and powerful parents won’t be punished. Those who are poor and powerless won’t get justice.

“A Good Supper” & Other K-dramas about Orphans

Because Korea has a long and complicated history with the purity of bloodlines and a general disdain for adoptees, I had always found it strange that so many Korean dramas dealt with issues that the mainstream media was reticent to cover. But in some ways, K-dramas can be very progressive in covering touchy topics. Hopefully, seeing orphans and adoptees depicted simply as children who deserve to be loved and cared for — like any child — is helping to lessen the stigma of kids whose biological parents are no longer in their lives.

“The Penthouse 2: War in Life” and More Makjang K-Dramas

“The Penthouse” got a lot of notoriety because of screenwriter Kim Soon-Ok’s makjang storylines, which were both a lot of fun and over the top. That said, there are plenty of other Korean dramas that hold their own when it comes to being overly dramatic (in a good way).