Music, music, music
I’ll be updating this page periodically to include music that’s piquing my interest at the moment. Song of the day: “Pretty Baby” by Blondie.
Journalist, Author & Syndicated Columnist
I’ll be updating this page periodically to include music that’s piquing my interest at the moment. Song of the day: “Pretty Baby” by Blondie.
It is easier for a cisgender man than a gay man to survive in a cutthroat society where the latter is unwelcome. This is true in just about any society, but especially so in South Korea where LGBTQ rights are still sorely lacking.
“I knew that I had to have a comeback eventually, because I had promised my fans that I would,โ says the adventurous K-pop star Chung Ha. โThis is what I love to do”
The K-pop sensations and TODAYโs latest cover stars open up about self-care, sisterhood, and their new project, โWith YOU-th.โ
Itโs not easy for two well-known celebrities to immerse themselves in their roles so well that we donโt seeย them, but rather their characters. But watching IU’s music video for “Love Wins All,” I didnโt see pop stars IU and V, but rather a pair of anguished characters who were trying desperately to survive in this post-apocalyptic inferno.
Hyolyn and Bora talk about their first new music in seven years, how K-pop has changed over the years, and their dreams for the future. My latest article in Rolling Stone magazine.
“Our goal as artists is for everyone who comes to our shows โ no matter what age, what gender โ to feel included,” said The Rose frontman Woosung. “That’s the energy we want at our concerts. We want it to be this happy place, a garden of roses where you’re enjoying music together with all kinds of different people and everybody feels safe.”
What follows is not only the story of Korean popular music, and how it birthed the K-pop business, but also how a small peninsula nation learned how to make art in the face of colonialism and political change, culled sonics from all corners of the globe, and keeps striving to find new ways of distilling the purest, most thrilling aspects of the human experience into four-minute packages of pop revelation.
In the final moments of the concert, the cameras seem to multiply, his cadence intensifies, the lights flash like paparazzi light bulbs. On the giant screen, surveillance-style footage captures him at a dozen different angles. Itโs all fury and flame and breathless swagger; Suga can dance, Agust D prefers to stalk. And the last image we see is Min Yoongi, his retreating back, the house lights already up, a person at the very end of it all.
“It’s my dream to travel around the world and play with local musicians playing their traditional instruments,” Suga says in his documentary Suga: Road to D-Day. “It’s my dream to record them and make music based on that.” But he has trepidation, too. “I worry that I won’t have anything to talk about,” Suga says. “I have fears that I have no more dreams to follow.”