Journalist, Author & Syndicated Columnist
Dismiss the ruminations about this being the Rolling Stones’ “401K” tour and faggadabout the Geritol jokes. The Stones may be the grandfathers of rock ‘n’ roll, but they also are consumate professionals who can still teach the youngsters a thing or two about how to put on a good stadium show.
You’d think that having just released the fastest-selling album in British history might have mellowed Oasis’ infamously prickly leader, guitarist Noel Gallagher, just a little. But even though Be Here Now is setting records and debuted in the U.S. last week at No. 2, the elder Gallagher (brother Liam is the band’s lead singer) is as irascible as ever.
Baring his soul with bold lyrics and plaintive vocals, singer-songwriter Peter Stuart has come up with a strong follow-up to his band’s debut. His protagonists suffer from heartache, but Stuart doesn’t wallow in misery. Like Matthew Sweet, he has a knack for marrying bittersweet words with pop melodies to create evocative vignettes. Grade: B+
It was a sad day for Anglophiles when John Squire left the Stone Roses. Without their lead guitarist and primary songwriter, the Roses withered away a few months after Squire quit last year. But he didn’t waste any time crying over what could have been. Instead, he put together the Seahorses, a tight rock ‘n’ roll outfit that made its Chicago debut Tuesday night at Metro.
Though U2 has been making records for almost two decades, the musicians opted to concentrate on the new rather than indulge in nostalgia. But that’s not to say that they didn’t have fun with a few oldies. While their set list included nine cuts from their current “Pop” album, one of the evening’s highlights was the Edge’s campy solo turn at singing “Sweet Caroline,” karaoke style. The guitarist appeared to be having a great time, punching his fist in the air and encouraging fans to sing louder.
The question after Soul Asylum’s gig Wednesday night at Metro wasn’t, “How were they?” but rather, “Why did they play there?” Longtime fans were treated to a solid, if unspectacular, 95-minute set from the formidable Minneapolis-based rock group. But it wasn’t that long ago that the band seemed destined for a brighter future and was sharing headlining status at outdoor festival shows.
For the first time Saturday night, James Iha and D’Arcy weren’t the center of attention. The Smashing Pumpkins musicians, acting as emcees, stood together at the mike, preparing to welcome the evening’s headliner at Metro. Before they could finish their introduction, however, the Frogs walked onstage, dressed in their typically flamboyant costumes.
It was a surreal sight Saturday at the New World Music Theatre. By 4:30 p.m. – three hours after the Revelations of Alternative Rhythms (R.O.A.R.) Festival started – there were only 150 people inside the Tinley Park enormodome. This is a venue that seats 30,000 fans. On the plus side, there were no lines for the restrooms or concessions. But the event felt more like a backyard barbecue than a big-time rock show.
If some of the teenage fans at Q101’s Jamboree 97 were a little distracted Sunday at the New World Music Theatre, it was understandable. Rather than basking in the sun at the first major outdoor concert of the summer, the kids huddled under blankets as if they were at a football game or, more often than not, shivered in their summer shorts and T-shirts. (The cruelest joke was that many had more clothes in their cars, but they weren’t allowed to leave the venue to get them.)
In Great Britain, Oasis isnt just any band–it is the band. To get a perspective of how popular they are in their homeland, check this out: The five-man group from Manchester performed two nights at Englands Knebworth Park to more than 250,000 people. It was the largest audience for any single band in Britain.