Journalist, Author & Syndicated Columnist
BTS topped the Jonas Brothers, Panic! At the Disco, Pink and Ariana Grande at Sunday’s American Music Awards to win all three of the categories in which they were nominated: Favorite Duo or Group (the first time an Asian group has received the honor), Tour of the Year and Favorite Social Artist (for the second consecutive year).
Just weeks after the Korean boy band SuperM held a showcase in Los Angeles, their management company, SM Entertainment, announced that it has signed with CAA for representation in all areas. Founded in 1995 by Soo-Man Lee — one of Variety’s 2019 International Power Players — SM Entertainment’s roster also includes K-pop luminaries NCT 127 (pictured above), EXO, Girls’ Generation, Super Junior and Red Velvet.
Advocates for promoting the awareness of mental health – especially in young people – BTS obliquely addresses this issue with the music video for their reworked version of “Make It Right.” It includes concert footage along with an animated story line. The animation gives off a strong “Le Petit Prince” vibe. Like the imagery depicted in the Antoine de Saint-Exupéry novel, the video delves into the delicate nature of human behavior.
The finale of “Bring the Soul” coincides with the end of the European leg of BTS’ 2018 “Love Yourself” world tour. Each member is given his moment in the spotlight, but this episode was almost a coming-of-age tribute to Jungkook (who had just turned 21 on tour).
Just days after they ended their brief vacation, BTS is back at it. Early Wednesday morning, the Korean pop group’s management company — Big Hit Entertainment — simply tweeted: “#BTS TikTok Channel Open!” That was all it took for ARMY (BTS’ loyal fans) to follow suit.
“Someone said seeing BTS was like seeing a unicorn,” RM says in this fifth episode of “Bring the Soul.” “When you think about it, no matter what’s happening behind the stage, just showing our faces is a remarkable experience for some people.” In other words, the group is well aware that there are fans all over the world who will never get the chance to attend a BTS concert. They know that the ones who did manage to snare a ticket often had to go through a Hunger Games-like ordeal to purchase it. For that reason, the group strives to be perfect, to give each show 110% and to perform through their injuries when possible, even when they’re advised not to.
There have been countless think pieces on who will be the next BTS or how someone could create the next BTS. This is an irrational concept, because what they essentially are saying is, “How do we conjure up another group that gets this much press and makes this much money?” If money was all BTS was after, they could retire now and be set for life. But what drives them is the relationship they have with each other and their knowledge of the influence they have on others, which can be channeled into a greater good.
More so than any episode from last year’s “Burn the Stage” (or the first episode of this series), viewers can see how lonely life on the road can be. The seven-man group may smile on stage and charm their interviewers with witty quips and soundbites. But touring can wear them down, even when they know they are in a privileged position that many are envious of.
In the first episode of BTS’ latest docuseries “Bring the Soul,” the group’s leader RM discusses how they fit into their role as superstars. “There are things I can change and things I can’t,” he says. “But I’m doing well now the way that I am.”
To no one’s surprise, BTS – one of the world’s most famous boy bands – won the MTV Video Music Award’s inaugural award for Best K-pop group for their song “Boy With Luv.” The septet didn’t attend the ceremony to accept their Moon Man trophy. While the new category appears to be a nod to the popularity of Korean music in mainstream U.S. pop culture, fans have been vocal that the category is suspicious at best and borderline racist.
Created to celebrate South Korea’s soft power, KCON has grown into the Coachella of Korean culture. Debuting in 2012 as a one-day festival in Los Angeles just months after Psy’s “Gangnam Style” became a worldwide hit, KCON attracted 12,000 curious fans. Flash forward to 2019, when one of the world’s most-famous groups is the Korean boy band BTS, Korean beauty products are all the rage, chefs are incorporating kimchi into western cooking and streaming sites including Netflix are premiering buzzworthy Korean shows such as the zombie serial “Kingdom.”
2019 is shaping up to be Blackpink’s breakthrough year. The all-girl Korean quartet kicked off the U.S. leg of a world tour with a concert at Coachella that was livestreamed in New York’s Times Square.
BTS’ RM went a little bit country late Wednesday night with “Seoul Town Road,” his surprise collaboration with Lil Nas X. Unlike Billy Ray Cyrus – who is featured on the latter’s chart-topping “Old Town Road” remix – the Korean rapper hasn’t dabbled in country music previously. Not the American genre, anyhow.
BTS will be back on the big screen this summer. The Korean pop group announced today that their latest feature film, “Bring the Soul: The Movie,” will have a global release on August 7. It arrives just six and a half months after the septet’s last film release, “Love Yourself in Seoul.”
BTS has figured out the most challenging aspect of stadium shows: how to make them feel intimate. Their boy-next-door charm, lively banter (in both English and Korean) and constant engagement with projected a warmth that reached the upper bleachers of Soldier Field. And even a language barrier doesn’t distract from the storytelling aspects of their songs: Most of the fans in the stadium tonight have long since translated the lyrics.
It has been a good week for BTS. On Wednesday (May 1), the South Korean group won two awards at the Billboard Music Awards (for top duo or group and best social artist). On Saturday (May 4), the septet kicked off its global “Love Yourself: Speak Yourself” stadium tour at the Rose Bowl Stadium in Pasadena, Calif. They will play the second of two consecutive sold-out nights on Sunday.
One of Japan’s most popular groups, Perfume became the first J-Pop act to ever take the stage at the Coachella Valley Music and Arts Festival with a performance last weekend. Formed in 2000, the electro-pop trio will do another set at the fest’s Gobi Tent on Sunday. That concert will conclude Perfume’s U.S. tour to promote their album, “Future Pop.” Nocchi (Ōmoto Ayano), Kashiyuka (Kashino Yuka) and A-chan (Nishiwaki Ayaka) made the most of their Coachella experience: The group caught a bit of Ariana Grande’s show and attended parties hosted by Interscope and Moschino. The experience, they said, was a dream.
The success of Korean superstars BTS has paved the way for multiple K-pop acts to try their chances in the U.S. — but few will be making their U.S. concert debut with as much panache as Blackpink.
In 2013, BTS was just another Korean boy band signed to a small label that hardly anyone had heard of. Six years and a K-pop global explosion later, they are the most popular boy band in the world, which is why fans around the globe set their alarm clocks (or pulled all-nighters) to catch the global release of “Map of the Soul: Persona” at precisely 6 p.m. KST (2 a.m. PT/ 5 a.m. ET).
Tiffany Young was 15 when she left her native California for Seoul, South Korea, where she hoped to become a music star. Within two years, the teenager made her debut with Girls’ Generation, which would become one of the most successful K-Pop groups ever. She’s back in the U.S. and has a new solo single, “Over My Skin.” My latest interview for Rolling Stone.