Journalist, Author & Syndicated Columnist
Having your music cut out mid-song is a living nightmare for musicians. But if you have the wherewithal to go with the flow with the good and the bad, those moments also can become a highlight of the evening. During a concert in Osaka last year, J-Hope was faced with exactly this dilemma. He describes it as the worst thing that can happen at a show. But he handled it with aplomb.
The men in BTS are still so young. But I get the impression that they are not oblivious to the passage of time. They know the half life of a musician’s career isn’t forever. Far from it. And while a part of me feels sad that they had to grow up so fast in the music business, the other part is grateful that they appear to be making plans for the future, even as they are enjoying what they have today.
I was delighted that Chicago was so beautifully prominent in this episode. Late one night back at their hotel, they’re trying to figure out how to perform on a tiny stage for their first U.S. television appearance. I used to do a little work for JBTV way back when, and I can tell you that the stage is tiny. It’s fine for most of the bands that pass through Chicago. But most bands aren’t BTS.
The argument between two members of BTS was hyped up as being a shocking revelation in the previews. But for anyone who has a sibling — or who has ever been in a serious relationship — speaking the uncomfortable truth is par for the course. Arguments often aren’t about what you’re addressing at the time, but rather all the little things that have built up to make you reach that boiling point. What was more interesting to me was watching Jin and V dig to the bottom of the real issue: respect.
정 (jung) is a Korean word that is difficult to define in English. 정 encapsulates a feeling of love and loyalty that people have for one another. They will do things out of the kindness of their hearts, rather than as quid pro quo. As I watched the members of BTS drinking and laughing together, I realized that it was this 정 they had for each other that was as much of a component of their success as anything else.
I imagine that for the members of BTS, presenting an idealized version of their real selves was par for the course. But with “Burn the Stage,” they have come to terms with who they truly are and are confident enough to show it to the public. It is difficult to explain why this first episode was so moving for me. Certainly, there is the aspect of seeing Asian Representation so beautifully presented; and in a manner that doesn’t exoticize these young men as strange creatures from a foreign land.
Music legend Neil Sedaka is back on the road performing concerts to promote his latest album, “Music of My Life.” Based out of New York and Los Angeles, the 71-year-old singer-songwriter loves to travel, whether it’s a family vacation to Hawaii or a staycation in his beloved Big Apple. Next on his list of places he’d like to visit? “It seems I’ve been everywhere, but I’ve never been to Eastern Europe,” Sedaka says. “(I’d like to travel to) Poland, the Czech Republic and Romania one day.”
During the 1990s, Juliana Hatfield was the It Girl for alternative rock. More accessible and cooler than Courtney Love, Hatfield had a knack for penning clever songs with her group Blake Babies. She was an indie sensation that girls wanted to emulate and boys wanted to date. What her fans didn’t know was that Hatfield was battling both an eating disorder and depression. She contemplated jumping out a window — not, she says, to commit suicide, but so that she could escape her depression.
Four decades before 15-year-old Miley Cyrus caused a media uproar for posing for photographs that implied she was nude, Janis Ian — then also 15 — wrote the critically acclaimed song “Society’s Child.” A thoughtful look at interracial dating, the song was deemed too controversial to play on many radio stations across the country. A few years later, Ian would become a pop star, thanks to her best-known song, “At Seventeen,” which told the universal tale, “Dreams were all they gave for free, to ugly duckling girls like me.”
Though Beyonce Knowles has earned fame as an actress and a spokesmodel, she is first and foremost a singer, as she showcases in the entertaining concert film The Beyonce Experience Live. Polished, effortlessly glamorous, and a strong showman, Knowles is the Diana Ross of the 21st century. The singer-songwriter is equally comfortable belting out a rocking dancing number or crooning a heart-wrenching ballad.