Journalist, Author & Syndicated Columnist
From the screeching that erupted when Barry Manilow stepped onstage Friday night at the Chicago Theatre, you would’ve thought he was one of the New Kids on the Block, and that the predominantly fortysomething audience was filled with love-crazed schoolgirls.
“I’ve had people tell me I’ve got to be more focused with my career,” says Billy Wirth. “But that’s bull. I don’t want to be just one thing. I do what I want to do because I like it. And as long as I’ve got food on the table, my rent paid and a little spending money, that’s all I need right now.”
There are a lot of disc jockeys that listeners automatically will tune away from. And then there’s Jonathon Brandmeier, the multitalented WLUP radio personality who has fans willing to pay to watch him perform. Saturday night, in the first of two concerts at Poplar Creek, Brandmeier had Chicagoans eating out of his hands.
One of Matthew Sweet’s most appealing aspects is that while he is making a niche for himself as one of today’s hippest singers, his songwriting has maintained a sweet innocence that betrays his ultra-cool musician image.
Charlie Sexton’s self-titled debut album doesn’t make as strong an impact as his debut “Pictures for Pleasure.” But just when you’re ready to accuse him of suffering from the sophomore slump, Sexton’s skillful guitarwork and deep, emoting voice convince you he’s worth believing in.
The audience is almost as important as the cast in the Apple Tree Theatre’s production of “The Mystery of Edwin Drood.” While the actors are responsible for delivering the witty lines succinctly, the audience is expected to determine how each show will end, and to participate in the acting. Shy people may not like hissing at the villain every time he enters, as the audience is instructed to do before the production begins. They may consider it strange to flail both arms in the air every time the show’s title is mentioned. And they also may feel uncomfortable striking up conversations with actors who plop themselves down in chairs next to theirs before, during and after performances.
Actor Stephen Caffrey was born in Cleveland, attended high school in five different states and now divides his time between Los Angeles and New York. But ask him where home is, and he’ll say Chicago. “My father was in a business that moved him around a lot, and as a result I was often uprooted,” Caffrey said. “The longest I’ve ever been in one place was the eight years I spent in Chicago. It’s hard to describe what bouncing around from place to place is like to people who haven’t experienced it. But eventually you end up just grabbing hold of home, and for me that’s Chicago.”
In the first of two Poplar Creek shows, Linda Ronstadt played to an enthusiastic, predominantly adult audience, of many of whom sang along with the Mexican lyrics she belted out in her inimitable, guttoral soprano. I got the impression that if she needed to, she could do just as well without the microphone. The tour is in support of her latest album, “Canciones de Mi Padre” (Songs of My Father). Subtitled “A Romantic Evening in Old Mexico,” the Poplar Creek show was the same production that played for three weeks on Broadway. The two-act revue was as much theater as it was a concert.
Without Jude Law, “Music From Another Room” would be just another so-so film with an improbable plot. But in his role as an artist who believes it is his fate to be with a certain woman, the English actor is so charismatic and convincing that the moviegoer is simply charmed by his presence.
Being the young, blond, beautiful daughter of the executive producer for “The Young and the Restless” isn’t enough when an actress wants a job on the CBS soap opera. It pays to beg, said former Chicagoan Lauralee Bell. The 19-year-old TV star portrays high-fashion model Cricket Blair on the daytime drama.
Tonio K.’s latest album, “Notes From The Lost Civilization,” is a cohesive collection of songs. Utilizing the talents of his friends Sexton, Peter Case, Billy Vera, Booker T. Jones and T Bone Burnett, Tonio K. takes his music less seriously than critics who’ve at turns dubbed him a poet and a jester. K.’s music falls into a happy medium somewhere between serious art and giddy pop.
Shot in black and white, “Foreign Land” is an evocative Portuguese film about a country in turmoil. It’s also a thrilling character study in which the striking stars display more sensual, onscreen chemistry than Leonardo DiCaprio and Kate Winslet in “Titanic.”
Many pop stars say music is the most important thing in their lives, but Rick Springfield put his beliefs and his career on the line when he took a self-imposed two-year break from the recording business
to reassess his priorities. “I think that of anything success has given me, alleviating the day-to-day money worries has got to be the greatest thing,” Springfield said. “I’ve been in the situation where I’ve had to scrimp to get together the rent and utility money. I know how hard it is, and I know how lucky I am now.”
Maggie Han has a leg up on other actresses in Hollywood. While she waits for suitable acting roles, she doesn’t have to wait on tables to supplement her income. The Korean actress-model is the spokeswoman for L’eggs Shear Elegance pantyhose. “It’s nice to have that to fall back on,” Han said in a telephone interview from her Westwood, Calif., apartment.
Blessed with a simple, heartbreaking beauty, Marlee Matlin carries her star status with self-effacing humor. A native of Chicago’s northwest suburbs, Matlin presently lives in New York. Having lost her hearing at the age of 18 months, she was recently back in town to attend the creative arts festival at the Center on Deafness in Des Plaines where she had been a student.
“Somebody was saying that I was too tall to be a rock singer,” Grahame “Skin” Skinner said. “Actually, I didn’t sing in most of the groups I was in before because I didn’t think I had a good voice. I played a little guitar — very little. The theory goes that a baritone doesn’t reach his potential until he’s 35, so I’ve still got several years to ago. Then I can make my comeback.”
During Paul Young’s last visit to the United States, he impaled himself onstage and was propositioned on national television. He’s still not sure which made him feel more uncomfortable. “I’m never quite sure when I’m being chatted up,” said the soulful British pop singer. On NBC’s “Tonight” show, actress Sonja Braga indicated she was interested in more than Young’s British accent. “I just sat there thinking, `This can’t be happening.’ It’s quite easy to flirt when you’re onstage, but in private, it’s a totally different situation.”
While many would-be actresses would jump at the chance of nabbing a three-year contract on a television soap opera, Rebecca Schaeffer passed it up. “If I give you the real reason why I didn’t take it, I’m going to sound so cocky,” Schaeffer said during a break from working on her role in “My Sister Sam,” a CBS sitcom that airs at 7:30 p.m. Mondays on
WBBM-Channel 2. “But I got offered a role on `Loving’ within a couple of months after I had moved to New York. So I thought, if I got this so quickly, I might want to hold out for something that I really wanted to do.”
At barely 5 feet and 90 pounds, Anita Baker is as talented as she is petite. Her soldout concert Saturday night at the Arie Crown Theater — the second of three consecutive Chicago dates – proved that she has no problem matching the exuberance and joy she expresses on her gold album, “Rapture.”
A lot of people are fooled by his name. Patrick Francis Bishop sounds about as American as you can get. But the Eurasian star of “General Hospital” considers himself more Asian than Caucasian. “I think it’s the same for most kids of mixed marriages,” Bishop said. “If a person’s half black and half white, society tends to think of him or her as black.”