Journalist, Author & Syndicated Columnist
Take equal parts “Laguna Beach,” “The Real World,” and “Melrose Place” and you get MTV’s reality series “8th & Ocean.” Set in the oh-so-glamorous world of modeling (Miami style), the show focuses on the lives (and loves) of 10 hotties trying to become the next Gisele Bundchen and Jason Lewis (“Sex and the City”).
The rapid-paced banter between the mother-daughter team of Lorelai (Lauren Graham) and Rory Gilmore (Alexis Bledel) is the calling card for Gilmore Girls. The show’s sixth year–which aired during the 2005-2006 TV season–remains witty, charming, and touching. The previous season left Yale undergrad Rory in trouble with the law after a night of very un-Gilmore-like behavior with her rich, handsome boyfriend Logan (Matt Czuchry).
Full of action, intrigue, and espionage, “The Unit” offers a dramatic, fictionalized look inside the military while also giving viewers a peek inside the private lives of the elite squad. Conceived by the critically acclaimed David Mamet, the Unit is an elite, covert Special Forces team that operates outside the military chain of command.
The seventh season of “Everybody Loves Raymond” serves up a delightful mix of comedy and pathos as the Barones deal with cults, theft, marriage, and death. The season opener (which aired on CBS in 2002) starts where season 6 ended: with Debra (Patricia Heaton) and Marie (Doris Roberts) feuding, and Ray (Ray Romano) and Robert (Brad Garrett) conjuring up a plan to get them to make up.
Equal parts drama, slapstick comedy, and soap opera, this third season of Las Vegas is all fun. Welcome to the Montecito, a casino and hotel that’s so desirable that the only thing more attractive than its clientele is its smoking-hot staff. Each episode contains some kind of crime–a victim whose kidney was stolen, a woman pretending to be a deceased man’s fiancée, an employee who chops off his own finger and serves it up in a shrimp cocktail. That kind of thing.
The sixth and final season of HBO’s prison drama Oz–which aired in 2003–is brutal, passionate, and gritty. Compellingly addictive with taut storylines and superb acting, each of the eight episodes on this 3-disc set nicely paves the way for the series finale, which wraps the show up in a satisfying (and surprising) manner. Often told through the eyes (and voice) of deceased prisoner Augustus Hill (Harold Perrineau, Lost), Oz isn’t an easy show to watch. Inmates are routinely raped, tortured, and killed–not out of need, but out of boredom and cruelty.
The fourth season of “The Fresh Prince of Bel-Air” finds Will (Will Smith) and Carlton (Alfonso Ribeiro) as college freshmen trying to fit in on campus. Carlton’s mom, Vivian, who was played by Janet Hubert-Whitten, is now portrayed by the attractive but not-as-funny Daphne Maxwell Reid. And supermodel Tyra Banks shows up as Will’s latest girlfriend, Jackie.
Created by Dick Wolf, the seemingly unstoppable mastermind behind the Law & Order franchise, Conviction tells the stories of a group of young, driven, and genetically gifted prosecutors working for the New York District Attorney’s office, which is led by Alexandra Cabot (Stephanie March). Cabot was last seen as a young gun assistant district attorney herself on Law & Order: Special Victims Unit. There she was a crusading and idealistic lawyer fighting to buck a corrupt system. But on Conviction, her character has turned into the type of bureaucrat she used to despise–one who thinks more about the bottom line than the true meaning of justice.
The overall strength of the second season of House, M.D. proves that its first-year success wasn’t a fluke. This season starts with Dr. House (Golden Globe winner Hugh Laurie) pursuing his ex-wife Stacy (Sela Ward) and ending with a tragedy that could potentially be deadly for himself and two colleagues. The premise of each show follows a set routine–a patient is brought in with unusual symptoms; House challenges his trio of underlings to diagnose the problem; they treat the patient, usually incorrectly the first few tries; and then at the very last minute–through a revelation that often has little to do with the patient–House figures out what’s wrong and saves the day.
The back story to the series is that Lynn moves her girls from New Mexico to New York after her husband has an affair with Karen’s best friend. While Karen (a pouty dead ringer for Angelina Jolie) cuts ties with her dad, sensitive Sophie keeps him filled in on their lives with regular emails. That action, ultimately, will force her to choose between her parents. And “Melrose Place” fans will delight in seeing Zuniga verbally spar with her estranged TV husband Grant Show.
“Tabloid Wars,” a six-week reality series that debuts tonight, follows the staffers of the New York Daily News as they track down leads on juicy stories, finesse sources into giving them quotes and lay out pages they hope will attract more readers than those of their archenemy, the New York Post.
After eluding agents from the nefarious Centre for a good three years, Jarod (Michael T. Weiss) finds himself back at the shady research facility (that kidnapped him during his youth) in the opening episode of the fourth and final season of The Pretender. Held against his will, Jarod is caged and routinely tortured by Miss Parker’s (Andrea Parker) calmly evil brother, Lyle (Jamie Denton, who would go on to bill himself as James Denton on Desperate Housewives). But, as the opening to each episode points out, Jarod is a pretender–a genius who can become whoever he wants to be. He can pass himself off as an FBI agent, surgeon, or drug addict.
The problem with the series is that the premise grows redundant pretty fast. Each contestant must make it through three challenges. The first is usually a test of your strength or speed (see above reference to attack dogs). The second relies on creepy crawly things either being ingested or smothering your face. And finally, we have tasks that must be completed faster than the other opponents.
Three years after the series finale of “Ellen” aired, Ellen DeGeneres gave sitcoms another shot with the genial “The Ellen Show,” which made its debut in 2001 on CBS. This time around, DeGeneres plays Ellen Richmond, a Los Angeles career woman who moves back to her hometown after her dot-com business goes under. She moves back home to live with her appropriately named mother, Dot (Cloris Leachman), and insecure younger sister Catherine (Emily Rutherfurd), who both idolizes and resents her.
Spanning decades of television, the DVD’s highlight is “Johnny Staccato.” Starring John Cassavetes in the title role, the episode (ca. 1959) stands up surprisingly well in modern times. Cassavetes is so suave and cool that no one would doubt his ability to play a jazz musician who happens to solve crimes at night.
When the ABC sitcom aired during the 1994-1995 TV season, it did well enough to place in the Top 5 for the fourth consecutive year. And aside from some pop culture giveaways (Jill’s clothes; Randy’s use of a floppy disc to backup his computer), the warmth and humor exuded in this 25-episode, 3-disc set hold up remarkably well.
Equal parts JAG and C.S.I., NCIS does a formidable job of blending relevant military headlines with quirky characters who are tenaciously determined to solve a crime–even if it means having to sleep in the morgue to get a few minutes of shut eye. Created by Donald P. Bellisario (JAG, Quantum Leap), NCIS actually began as a two-part episode of JAG in 2003. Later that year, the drama made its full-season debut on CBS.
The difference between right and wrong isn’t easily distinguishable on EZ Streets, a compelling and sophisticated crime drama that lasted just one season on CBS. As a former cop tells his son, “You can only be betrayed by the people you trust.” Ken Olin stars as Detective Cameron Quinn. After his partner is gunned down with $10,000 missing, both of them are pegged as dirty cops.
After eight seasons on air–some very good, the later years not so much–“Will & Grace” bids farewell tonight. Unlike its characters, which have gotten increasingly squawky over time, the show is getting a relatively subdued send-off that doesn’t match the manic frenzy surrounding the “Friends” finale two years earlier.
If it seems odd for a reality series to air on a golf channel, consider that since its January 1995 launch, the Golf Channel has provided round-the-clock coverage of all things golf. But there are only so many tournaments they can repeat, and even the most ardent fans tire of interviews with Michelle Wie and Tiger Woods.