Journalist, Author & Syndicated Columnist
I knew going into this series who she would end up with (and so will you, because you’re not stupid). I have no problem with that. But what I thought was a cheap cop-out was the way Do-Hyun went from being an upstanding, fun and thoughtful young man in the first season, into a suspicious and jealous boyfriend in this second season.
Like most Korean dramas, there is a love triangle in “Ms. Hammurabi.” The difference is that there are so many interesting plots developing here that I cared more about the human rights issues that the judges were fighting for than the romance.
“Her Private Life” starts off as a clever comedy about Sung Duk-Mi — a cultured art curator who also is a diehard fangirl. But it also deftly tackles child abandonment, reunification and forgiveness. The concept of what constitutes a family was a recurring theme. It was refreshing to see that relationships based on bloodlines weren’t the only ones valued and that families are sometimes borne from tragic circumstances.
Second lead syndrome is strong in “Love in the Moonlight.” And although it’s obvious from the beginning who will end up with the girl, I honestly would’ve been fine with either. Are you #TeamBoGum or #TeamJinYoung?!
Five friends, four of them living together in one house. It becomes clear early on that the writers are setting up the premise for the roomies to pair off romantically. But because this is a K-Drama, there’s a hitch and, in this case, it’s the fifth friend who lives at home with his hard-working father. (Less of a storytelling inconvenience is a snooty rich girl who dates the male lead.)
I finished watching the final episode of “Kill Me, Heal Me” early this morning, and I am left with a sense of melancholy — not because the ending was unhappy (it wasn’t), but because the series was so good I wanted to see more. This K-Drama unravels at a languid pace. As each new backstory is revealed, it felt like a jolt to my heart.
I could go on and on about the romance elements. But because I knew the lead character would be fine regardless of who she chose — and that the men would be OK as well — I was more fascinated by the dynamics at the workplace and how difficult it can be for women to juggle being a mom with having a job outside of the home.
“Angry Mom” brings up the question of whether it’s OK to be a bully, if you are standing up for the rights of the weak.
A serialized remake of the 2012 film “Masquerade” (광해: 왕이 된 남자), “The Crowned Clown” stars Yeo Jin-goo as young, immoral king Yi Heon, whose crown is constantly under threat. Drugged out on opium (initially unknowingly, and later willingly), he eagerly agrees to allow a lookalike jester, Ha Seon, to impersonate him until things are under control. In other words, let the clown be assassinated in his place.
Recognizing these cultural differences and relating to even the most unrelatable stories are all part of what makes watching Korean dramas so satisfying. Where else can you experience second lead syndrome (where you’re actually rooting for the other guy to get the girl and not the main guy), eat instant ramen along with the characters, and learn a few foreign words in the process? Daebak! Read more in my article for MTV News.