Journalist, Author & Syndicated Columnist
A remake of the Taiwanese series “Someday or One Day,” the Korean version of this time-travel drama isn’t always easy to follow. But if you suspend your belief in reality and just go with the flow, you will find yourself immersed in a compelling plot that centers on love, while it also navigates story arcs about guilt, gaslighting and a, erm, serial killer.
One reason for the popularity of “Doctor Prisoner” may be that it has incorporated some real-life news into its story arcs, similar to how American shows such as “Law & Order” draw ideas from sensational headlines.
On the surface, it appears that “Mask Girl” is about beauty standards and how our looks are a catalyst for who we will become. But by the end of the series, viewers will have been taken on a wild ride where subterfuge and revenge are the norm, rather than the exception, and everyone’s moral compass has been broken.
You’ve seen the cold male chaebol/warm, hardworking female combo before in many popular K-dramas (including “Business Proposal” and “Oh My Venus”). But Im Yoon-ah and Lee Jun-ho are so charismatic and easy to watch in “King the Land” that they add a fresh touch to an old concept.
This second season of “The Uncanny Counter” is good enough. But it is also a reminder that K-dramas are traditionally made to finish after one season. With the influx of Western streaming sites that have figured out how lucrative Korean shows can be, there have been more shows going into their second (or even third seasons). And while I was one of the viewers who had hoped for a second season of this series, I acknowledge that it may have been best to just leave things as they were.
What both seasons of “D.P.” does so well is tell the important and uncomfortable stories that no one wants to believe are true. When soldiers are regularly humiliated, degraded and tortured, what right does anyone have to tell the victims that they must return to their abusers?
“See You in My 19th Life” delves into reincarnation. And as it does so, it drives home the point that even if you are assured of living more than one life, what’s important is that you live your best life, rather than muddling through and wasting time.
“Celebrity” tackles the ‘dark side’ of social media. When haters are anonymous, they’re emboldened to be cruel.
“Agency” tackles the old boys’ club. It also addresses the expectations placed on women at work and at home.
A look at how “Tale of the Nine Tailed 1938” reflects on colonization.
“Bloodhounds” offers sweet bromance. But this K-drama also has a brutal take on morality.
Like “Our Blues,” “My Liberation Notes” and “Reply 1988,” “The Good Bad Mother” is a slice-of-life series filled with quirky characters who are overly interested in each other’s business. They support each other, are jealous of each other’s children and talk smack about each other. But if an outsider dares to do the same, hell hath no fury like a neighbor scorned.
“Black Knight” takes place 40 years after a comet crashed into Earth, nearly destroying the entire population. The Korean series is clearly a parable for what could happen to our world if we don’t take better care of the most vulnerable among us.
There has been an uptick in engaging K-dramas where the protagonist becomes a lawyer to avenge the wrongs committed against his family. “The Good Bad Mother” and “Divorce Attorney Shin” are set in the modern day era. “Joseon Attorney: A Morality” adds a twist to this conceit by taking us way back to the Joseon era (1392 to 1897), before Korea was called Korea and there was no Seoul — the city was known as Hanyang.
“XO, Kitty” tackles adoption, diaspora and maintaining Korean ties. But is it any good? Not really.
A psychological thriller that sounded much better than it actually is, “Somebody” revolves a serial killer (Kim Young-kwang) who uses a dating app to find his victims — and the app developer (Kang Hae-lim) who identifies with him, even after finding out his true identity.
The concept? A group of telegenic Korean celebrities run a snack bar in Bacalar, Mexico, for one week (haha!). In its own way, it had all the elements of a fun K-drama minus any love triangles. Was there a 2nd male lead? Of course! As well as a 3rd and a 4th and so on. It shifted every few minutes, depending on who’s on screen — Park Seo-joon of “Itaewon Class,” “Parasite” actor Choi Woo-shik, BTS vocalist V, and the dimpled head of Jinny’s Kitchen, Lee Seo-jin (“Behind Every Star”).
“Summer Strike” is one of those series that I started started, was meh about, and then returned to a few months later and found myself binging the rest of the show. The premiere episode was strong, focusing on a young office worker whose good nature is taken advantage of both at work and in her long-term relationship with a man who breaks up with her.
One of the best K-dramas of the year, “Queenmaker” is the latest female-centric series led by women in their 40s (and older) that in nail-bitingly good. A political thriller with twists and turns, two foes unite to take down a corrupt chaebol family that will stop at nothing to protect their financial and familial interests.
