Journalist, Author & Syndicated Columnist
A reminder that it’s really gross to tell people that their identity is determined by what language they speak — or what language they choose to sing in. Part 2 of my coverage of that problematic NYT K-pop podcast.
The thesis of the New York Times’ podcast questions whether K-pop is still K-pop if sung in English. It also questions whether Korean artists should even be singing in English, since there are so many Western artists who already sing in, you know, English…
She saw me as a dark-skinned minority, like herself. Aligning herself to me wouldn’t help her step up in social status. To her — and probably to many people — I was just another immigrant working in a factory, and that’s all that I would ever be. To her, she saw no value in me. Maybe my ethnic otherness reminded her too much of herself.
I’m not an influencer by any means and I’m not a celebrity. But I have dealt with trolls, starting from the days when they had to mail their vitriol through the USPS — all the way through present day, when haters can harangue you nonstop on social media.
In this essay, writer Jae-Ha Kim celebrates BTS’s 10th anniversary as a group by looking at the dreams they achieved on behalf of the Korean diaspora. They rose to the top and took us with them.
Last week I wrote an article about an incident that occurred to my family when we were new immigrants in the United States. Who knew that such an innocuous essay would stir up the emotions of haters, who deemed us as getting what we deserved for deciding to move here. Of course, they all tapped away anonymously on their keyboards from their homes in the … United States.
To them it may have been smelly and weird. To us, it was a taste of home.
Back in my era, the teachers encouraged immigrants to only speak English at home so that we wouldn’t fall behind. But what they didn’t know at the time — or perhaps they didn’t really care about — was that in the rush to make us understand English, many of us lost our ability to converse in our birth language.
To many misguided editors, one Asian is enough. Two Asians is overkill. Three Asians will get you called in to the office to be reprimanded. And also… Epik High is not a boy band. But they wouldn’t know that, would they?
In an unusual cinematic coincidence, two critically acclaimed films about South Korean adoption were released in December depicting different sides of the adoption story. Broker focuses on a teenage girl who leaves her infant at a church’s safe haven baby box, while Return to Seoul tells the story of a French woman who reunites with her birth family just days after arriving in Korea. To better understand how these films speak to real-life adoptees, I talked to Korean academics, human rights experts, and adoptees. My reported piece for MASHABLE.