Journalist, Author & Syndicated Columnist
In 1958, comedian Carl Reiner wrote his first novel, Enter Laughing. Now, thirty-seven years later, the sequel Continue Laughing (Birch Lane Press, $19.95) arrives. That’s quite a gap, but Reiner hasn’t exactly been lying low in the intervening years.
It’s difficult to believe it has been three years since the Gin Blossoms released their breakthrough album “New Miserable Experience” – until you attend their concert and realize you know just about every song. Nonetheless, the familiarity of the Blossoms’ music did nothing to detract from the enjoyment of their well-crafted pop-rock songs when the musicians headlined Sunday at the Taste of Chicago.
Now is the summer of our discontent. That’s the only possible conclusion you can draw if you’ve been anywhere near a radio lately. Summer used to be the season of catchy, bouncy, bubblegum music. Not this year. The airwaves of summer ’95 – suddenly, inexplicably – are clogged with hummable odes to depression, confusion, weird characters and questionable behavior.
South Korean artist Sung Hee Cho got her first taste of art when she was 6. Her father bought her water-based paints and taught her to draw Asian characters on delicate rice paper. By junior high school, Cho decided her preference leaned more toward Western art and set her sights on America. Cho didn’t immigrate into the United States right away. She earned a master’s degree in fine arts from the prestigious Ewha Women’s University before relocating to America 16 years ago.
When Anchee Min wanted to attend the School of the Art Institute in 1984, a friend who knew English filled out her application forms, marking off “excellent” under the category for “English language skills.” When Min arrived in Chicago to begin classes, it quickly became apparent to the school’s administrators that she spoke virtually no English. She was told to come back when she had learned enough to understand classes. Six months later, Min was a student there.
If you live in the suburbs, you know how difficult it can be to find good ethnic food without driving to Chicago. That was a complaint Bonnie Ma heard many times from friends and customers. So when the restaurateur decided to open another Midori – which specializes in Japanese cuisine – she selected northwest suburban Mount Prospect as her site.
“Fluke” gives new meaning to the phrase “men are dogs.” In this new adventure film, Fluke is the canine reincarnation of a man who died in a freak auto accident. Thomas Johnson (Matthew Modine) and Jeff Newman (Eric Stoltz) are best friends and business partners. After a fight, Johnson gets into a fatal car crash.
So Robert De Niro and Marisa Tomei gained weight for their movie roles. Big deal. Comet – no last name, please – easily can one-up them. The 9-year-old had his luxurious blond mane snipped and dyed murky brown, perfected a limp and convinced the casting director that he could play a 1-year-old in the new comedy “Fluke.” Oh, did we mention that Comet is a dog?
If you like actors mingling in the audience and cajoling you to dance with them, then “Song of Singapore” is just the play for you. But if you prefer that actors remain on stage and don’t touch the ticket holders, you’ll want to skip the latest interactive play to hit Chicago. “Song of Singapore” – which opened Monday night at the Pipers Alley Entertainment Complex – isn’t nearly as obnoxious as the preternaturally successful “Tony ‘n’ Tina’s Wedding,” which still is running at Pipers Alley in a theater next door.
At the beginning of “Picture Bride,” a 16-year-old girl living in Tokyo is shown a picture of a handsome Japanese man who has immigrated to Hawaii. Along with the photograph, he has sent a beautiful, poetic letter that doesn’t win her heart so much as it promises her a better life than what she has now. She sends back her picture, and the two agree to marry.