Journalist, Author & Syndicated Columnist
“I’m currently planning a trip home to Kauai,” said Vie En Rose founder Malea Rose. “I haven’t decided my New Year’s Eve plans. I’m a last-minute gal. But I’ll be traveling to the most beautiful places in Thailand in February to visit the set of [the third season of] ‘The White Lotus.’ I’m super excited!”
The gore in this K-drama is intense and unrelenting — so much so that it ironically begins to lose impact. But amidst all the violence are well-developed stories of families, love and patriotism — and that’s what prevents this series from being just another horror show.
“BTS Monuments: Beyond the Star” isn’t always easy to watch. Very real issues are discussed, including severe depression that hints at suicidal ideation. But what comes through is that it’s the group’s hope, friendship, humor and love that binds them together.
“I’ve spent a couple holiday seasons in London when my dad [the actor Jon Jon Briones] was doing “Miss Saigon” in the West End,” said “Goosebumps” actress Isa Briones. “Christmas in London is so magical. Walking the Christmas light covered streets at night is … chef’s kiss.”
What a year for great K-dramas. With so many choices, it was difficult leaving out some of my favorites from this best K-dramas list. As for my top selections, I chose them because each is binge-worthy and features superb acting, well developed storylines that inform and celebrate, and explorations of real-life issues that may be specific to South Korea, but also share universal relevance.
At the Latin Grammy Awards in November, Andrés Cepeda won his fourth trophy. His record “Décimo Cuarto” was honored as the Best Traditional Pop Vocal Album. The popular musician said that while he’s gearing up for his upcoming 2024 tour, he’s also looking forward to relaxing with his family during the last few weeks of 2023.
There is a lot to unpack in “Castaway Diva.” On the surface, it’s about a teenager who has been trapped on an island for 15 years, is rescued, and pursues her dreams of becoming a K-pop idol. And that is an interesting enough premise as it is. However, the real thrust of this K-drama is the long-lasting ramifications of abuse, even after the victims have grown up and have long been separated from the abusers.
A reminder that it’s really gross to tell people that their identity is determined by what language they speak — or what language they choose to sing in. Part 2 of my coverage of that problematic NYT K-pop podcast.
“South Koreans are very serious about their skincare,” said SMD Cosmetics Intl. founder Lauren Ing. “Many liken it to exercise and eating healthy. It is seen more like a lifestyle with long-term results from a lifetime of dedication versus a quick fix. I feel like many women in the U.S. want skincare to be quick results from a single use. The approach is more like a fast-food approach.”
The thesis of the New York Times’ podcast questions whether K-pop is still K-pop if sung in English. It also questions whether Korean artists should even be singing in English, since there are so many Western artists who already sing in, you know, English…