Journalist, Author & Syndicated Columnist
In Korean folk-lore, 구미호 — which literally translates into nine-tailed foxes — are cunning creatures who live to be about 100. As they age, they grow an extra tail. 구미호 are usually young women who seduce men to eat their livers or hearts. But in the K-drama “Tale of the Nine Tailed,” the alpha fox is Lee Yeon. Once the mountain God of Baekdudaegan, he was kicked out for a variety of reasons that revolved around his love for a human woman named Ah-eum.
“When My Love Blooms” started off so strong and promising that I had high hopes for this years. You usually can’t go wrong with Yoo Ji-tae and Lee Bo-young in the lead roles. But while the actors did a great job of embodying their complicated roles, I ended up not appreciating either character very much.
“The King: Eternal Monarch” was Lee Min-Ho’s comeback drama after finishing his mandatory military service in 2019. Beautifully shot and well acted by the lead actors, the series nonetheless is a bit of a hot mess when it comes to the meandering plot.
As with Choi Jin-Hyuk’s previous police procedural, “Tunnel,” there are some convoluted plot issues that drag down “Rugal.” Choi is handsome and charismatic, but he can only do so much with so-so dialogue.
“Do Do Sol Sol La La Sol” had a promising start that was spoiled by an ending that came out of nowhere.
“It’s Okay to Not Be Okay” is an unconventional love story that also focuses beautifully on mental health. It depicts how the aftermath of abuse and abandonment affects the psyche, but reaffirms that no one is a lost cause — and that seeking help is self love.
The masterminds behind the superb “Reply” anthology produced another hit series with “Hospital Playlist,” centering around a quintet of long-time friends who are all doctors for the same prestigious hospital.
“Extracurricular” shows so much promise early on, before meandering into a series of violent vignettes that water down the plot.
“Hyena” shows that being called the best doesn’t mean anything in the real world. The plot depicted South Korea’s insidious system of revering lineage as flawed (and stupid). And that referring to a human being as disposable — because they don’t hail from the proper background — depicts who exactly is the human garbage here.
A couple months after the series finale aired, I still find myself missing the characters in the superb K-Drama, “Crash Landing on You.”