Journalist, Author & Syndicated Columnist
“#Alive” was filmed a year before countries worldwide were locking down due to the COVID-19 pandemic. But its depiction of isolation and fear of the unknown mirrors what millions of people went through (minus the zombies) in this 2020 thriller.
In Korean folk-lore, 구미호 — which literally translates into nine-tailed foxes — are cunning creatures who live to be about 100. As they age, they grow an extra tail. 구미호 are usually young women who seduce men to eat their livers or hearts. But in the K-drama “Tale of the Nine Tailed,” the alpha fox is Lee Yeon. Once the mountain God of Baekdudaegan, he was kicked out for a variety of reasons that revolved around his love for a human woman named Ah-eum.
“When My Love Blooms” started off so strong and promising that I had high hopes for this years. You usually can’t go wrong with Yoo Ji-tae and Lee Bo-young in the lead roles. But while the actors did a great job of embodying their complicated roles, I ended up not appreciating either character very much.
“The King: Eternal Monarch” was Lee Min-Ho’s comeback drama after finishing his mandatory military service in 2019. Beautifully shot and well acted by the lead actors, the series nonetheless is a bit of a hot mess when it comes to the meandering plot.
Hwang Jung-Eum is one of my absolute favorite actresses. I love everything about her, especially the forthright way she delivers her dialogue. Her chemistry with both leading men is on point and viewers can see the family-like dynamics shared by the trio. Choi Won-Young and Yook Sun-Jae are superb actors whose subtle (and overt) mannerisms speak to viewers without them having to utter a word.
As with Choi Jin-Hyuk’s previous police procedural, “Tunnel,” there are some convoluted plot issues that drag down “Rugal.” Choi is handsome and charismatic, but he can only do so much with so-so dialogue.
“Space Sweepers” has a lot of things going for it — great acting, cinematography, special effects. But once you’re done oohing and ahhing at the visual onslaught, it’ll sink in that what the film lacks is a cohesive storyline.
“Sweet Home” has some incredible highs. But unlike “Kingdom” or “Uncanny Counter,” where action supplements the storyline, “Sweet Home” has too much mediocre filler to make it a truly great K-drama.
Most of the characters in “Lovestruck in the City” would’ve benefited with some therapy to work things through and move on from unhealthy relationships that should’ve been severed early on.
There are several subplots percolating in “Run On,” but the most interesting was the bullying, especially in light of the accusations of real-life bullying scandals surrounding idols and actors. This K-drama offers a perspective that bullying is a part of Korean hierarchy, and those with wealthy and powerful parents won’t be punished. Those who are poor and powerless won’t get justice.
“Kairos” starts off promising and is reminiscent of the best elements of “Signal.” But where the latter kept the suspense going until the end, “Kairos” fizzles out midway, with redundant story arcs and some characters that are not only irredeemable, but highly unlikeable. And I’m not talking just about the villains.
What “Peninsula” lacks in humanity is made up with spectacular car chases and firearms. Is it as good as “Train to Busan”? No, but it’s good enough, in a Hollywood shoot-em-up kind of way.
“Start-Up” has a second male lead (Kim Seon-ho) who is so charismatic that his storyline often overshadows that of the very handsome lead (Nam Joo-hyuk). Ultimately, the K-Drama reinforces the idea that no matter how broken a family is, the ties remain – for better or worse.
“Do Do Sol Sol La La Sol” had a promising start that was spoiled by an ending that came out of nowhere.
“Record of Youth” is Park Bo-Gum’s swan song before he enlisted to serve his mandatory military duty in South Korea. While it’s meant to be a traditional love story, the friendship between the three male leads and the woman Park loves was the real draw.
There’s so much lying going on in the second season of “Stranger” that it’s difficult to figure out who’s truth is real. There are so many players convinced that their own criminal acts are for the betterment (cough cough) of Korea’s economy and future that they should be given a pass on their own wrongdoings.
The chemistry between Lee Joon-Gi and Moon Chae-Won is strong in “Flower of Evil.” Viewers never doubt their love for each other. One of the most telling signs of their relationship is that even during times when she isn’t sure who he really is, she never stops referring to him as 자기야 / jagiya, which literally means that he is hers.
“It’s Okay to Not Be Okay” is an unconventional love story that also focuses beautifully on mental health. It depicts how the aftermath of abuse and abandonment affects the psyche, but reaffirms that no one is a lost cause — and that seeking help is self love.
If half the things that happened in “Kkondae Intern” occurred at a fraternity hazing, people would be incensed. But it seems to be accepted…at least in K-Dramas…that this is just how workplaces are in South Korea.
The masterminds behind the superb “Reply” anthology produced another hit series with “Hospital Playlist,” centering around a quintet of long-time friends who are all doctors for the same prestigious hospital.