“My Name” (마이 네임)
You know how in most action series, there is that one guy who can fight a team of gangsters, get stabbed and bounce back into action in no time? In “My Name,” that guy is a kickass woman.
Tag: 2021
“D.P.” (디피)
The superb “D.P.” is not an easy series to watch. While not as gory as “Squid Game,” it’s more disturbing in many ways, because it deals with South Korea’s real-life mandatory military duty — which requires every able-bodied Korean man to enlist for approximately two years.
“Hospital Playlist” (슬기로운 의사생활): Season 2
“Hospital Playlist” is a good series, where the core friendship is warm and engaging. The five doctors have the kind of relationship with each other that makes me envious … even though I don’t particularly feel a need for that many close friends in my real life. (haha)
“Squid Game” Is a Social Allegory Informed by Korean History
“Squid Game” is not this year’s “Parasite,” so much as it is a satire in the vein of “A Modest Proposal.” Just as Jonathan Swift pointed out the abject brutality of telling the poor to satiate their hunger by eating healthy, plump babies, Hwang depicts the cruelty of lording a huge sum of money – literally – over desperate people’s heads, knowing that most will die as they lived: penniless.
“Penthouse: War in Life (Season 3)” (펜트하우스)
What started out as a compelling makjang series ended with a bloody mess, where vengeance wasn’t sweet. Rather, it took over the main characters’ lives to the point where they could see nothing else but hate.
“Mine” (마인)
“Mine” is a women-centric K-drama in which the worst actions have been created by men. Their immorality serves as a cause and effect for a chaebol family’s misery.
“Kingdom: Ashin of the North” (킹덤: 아신전)
“Ashin of the North” is screenwriter Kim Eun-Hee’s concession to “Kingdom” fans, who are eagerly awaiting the third season of the popular Netflix series. This stand-alone episode — or film, depending on how you view it — is entertaining, but not nearly of the same caliber of storytelling as the first two seasons of this zombie period piece.
“Racket Boys” (라켓소년단)
“Racket Boys” is a sweet series centering around a teenager, who’s forced to quit baseball when his father moves them from Seoul to the countryside. Disappointed and bitter, Hae-Kang begrudgingly joins the badminton team — which his father coaches — on the condition that if the team wins a medal, his dad will get them Wi-Fi at their house.
“Move to Heaven” (무브 투 헤븐: 나는 유품정리사입니다)
“Move to Heaven” is a beautiful and at times brutal series that tells so many touching stories. One of the most important aspects was in how the series showed respect for the dead, even when the supposed loved ones of the deceased don’t seem to care.
“Beyond Evil” (괴물)
“Beyond Evil” is one weird (in an interesting way) Korean series that centers on the search for a serial killer, who murdered multiple women — including the protagonist’s younger sister. Virtually all the major characters are suspects at one point or another, with damning evidence that has been carefully weaved into the storyline.
“Taxi Driver” (모범택시)
“Taxi Driver” is a thrilling series in the vein of “The Equalizer,” “Profiler” and “The Pretender.” Rainbow Taxi Service driver by day and justice seeker by (mostly) night, Do-Gi and his team are funded by a philanthropist whose parents were murdered decades ago. The goal is to rehabilitate them, but what it all boils down to is revenge.
“Navillera” (나빌레라)
For septuagenarian Shim Deok-Chul, his unfulfilled dream is ballet. As a child, he had wanted to take lessons, but his father stopped him. There was the lack of money. But there was (and still is) also the prejudice against men who participated in the artform. For many close-minded people who fear the unknown, dancing isn’t a masculine hobby to take up.
“Vincenzo” (빈센조)
The showrunners behind “Vincenzo” took their time in letting the highly engaging story unfold in a believable way. Well, as believable a story as you can have about a Korean-born child who ends up becoming a consigliere for a top mafia don in Italy. This series is one of Song Joong-Ki’s strongest K-dramas.
“Taxi Driver” Offers Revenge
You know that saying, “Revenge is a dish best served cold”? How apropos for these satisfying K-dramas.
“Love Alarm” (좋아하면 울리는): Season 2
“Love Alarm” was one of the first Netflix series that split a K-Drama into two seasons. They need to stop doing that. This second season is a disappointing mess.
“Penthouse: War in Life (Season 2)” (펜트하우스)
This second season of “Penthouse” is full of subterfuge, a revelation about who one of the students’ real father is and lots and lots of comeuppance. Oh, and there’s the murder of another teenage student, too.
“Lovestruck in the City” (도시남녀의 사랑법)
Most of the characters in “Lovestruck in the City” would’ve benefited with some therapy to work things through and move on from unhealthy relationships that should’ve been severed early on.
“Kingdom” (킹덤)
Like “Train to Busan,” “Kingdom” was released well before the coronavirus outbreak cause pandemonium worldwide. Both are sociopolitical projects disguised as zombie horror thrillers, where those in power don’t try to prevent the outbreak, so much as they try to stop news of the outbreak from being released. The public’s ignorance suits their own needs.
“Run On” (런 온)
There are several subplots percolating in “Run On,” but the most interesting was the bullying, especially in light of the accusations of real-life bullying scandals surrounding idols and actors. This K-drama offers a perspective that bullying is a part of Korean hierarchy, and those with wealthy and powerful parents won’t be punished. Those who are poor and powerless won’t get justice.
“The Penthouse 2: War in Life” and More Makjang K-Dramas
“The Penthouse” got a lot of notoriety because of screenwriter Kim Soon-Ok’s makjang storylines, which were both a lot of fun and over the top. That said, there are plenty of other Korean dramas that hold their own when it comes to being overly dramatic (in a good way).