“My Name” (마이 네임)
You know how in most action series, there is that one guy who can fight a team of gangsters, get stabbed and bounce back into action in no time? In “My Name,” that guy is a kickass woman.
Tag: 2021
“D.P.” (디피)
The superb “D.P.” is not an easy series to watch. While not as gory as “Squid Game,” it’s more disturbing in many ways, because it deals with South Korea’s real-life mandatory military duty — which requires every able-bodied Korean man to enlist for approximately two years.
“Hospital Playlist” (슬기로운 의사생활): Season 2
“Hospital Playlist” is a good series, where the core friendship is warm and engaging. The five doctors have the kind of relationship with each other that makes me envious … even though I don’t particularly feel a need for that many close friends in my real life. (haha)
“Mine” (마인)
“Mine” is a women-centric K-drama in which the worst actions have been created by men. Their immorality serves as a cause and effect for a chaebol family’s misery.
“Racket Boys” (라켓소년단)
“Racket Boys” is a sweet series centering around a teenager, who’s forced to quit baseball when his father moves them from Seoul to the countryside. Disappointed and bitter, Hae-Kang begrudgingly joins the badminton team — which his father coaches — on the condition that if the team wins a medal, his dad will get them Wi-Fi at their house.
“Move to Heaven” (무브 투 헤븐: 나는 유품정리사입니다)
“Move to Heaven” is a beautiful and at times brutal series that tells so many touching stories. One of the most important aspects was in how the series showed respect for the dead, even when the supposed loved ones of the deceased don’t seem to care.
“Taxi Driver” (모범택시)
“Taxi Driver” is a thrilling series in the vein of “The Equalizer,” “Profiler” and “The Pretender.” Rainbow Taxi Service driver by day and justice seeker by (mostly) night, Do-Gi and his team are funded by a philanthropist whose parents were murdered decades ago. The goal is to rehabilitate them, but what it all boils down to is revenge.
“Minari”: Deconstructing the American Dream
Lee Isaac Chung is an astute filmmaker, who pays close attention to the smallest details. With “Minari,” he has created a universally relatable film, while inserting elements that are specifically Korean.
“The Uncanny Counter” (경이로운 소문)
Well written and terrifically acted, “The Uncanny Counter” is suspenseful and heartwarming. And in a rarity for Korean dramas, there is no second lead syndrome romance to mess with the plot.