Journalist, Author & Syndicated Columnist
Park Ji-hoon is almost unrecognizable from his Wanna One days. Leading this cast, which also includes Choi Hyun-wook (Twenty Five Twenty One) and Hong Kyung (D.P.), Park is so intensely good as a bullied boy who uses classical conditioning (Pavlov’s Dog) and Newton’s Laws of Motions to fight back against his tormentors.
Based on the French series “Call My Agent,” this K-drama actually reminds me more of the U.S. show “Entourage,” but from the viewpoint of combative entertainment agents. “Behind Every Star” focuses on a team of elite agents whose clients include top stars who need to have their egos stroked on a regular basis
In the superb “Return to Seoul” – which is Cambodia’s Oscar entry for the Best International Film category – French Cambodian filmmaker Davy Chou (“Golden Slumbers”) takes a look at what it means to be an adoptee who unexpectedly is reunited with her birth parents.
“Under the Queen’s Umbrella” is my top pick of 2022. If you’re looking for a fantastic series to watch, this sageuk/사극 (or historical drama) is difficult to beat. Kim Hye-soo is magnificent as a queen whose sons’ lives (and her own) are in danger if the Crown Prince dies. She is whip smart and almost always one step ahead of her enemies, who want to destroy her family to elevate their own.
If you could change places with a wealthy acquaintance, with the condition that you have to give your family to do so, would you? That’s the moral question behind “The Golden Spoon,” which stars BtoB’s Yook Sung-jae (“Goblin,” “Mystic Pop-up Bar”).
Sang-eun (Park Min-young) is a stunning young woman who has carved out a niche for herself marrying men. Nope, she’s not a gold digger. Her relationships with her clients are platonic and are based on a meticulously-worded love contract. Well educated and discreet, she is the perfect girlfriend/bride for men who need a well-heeled partner to show off.
“The Law Cafe” is a cute K-drama centering on a couple that has always been in love with each other, but doesn’t realize it. Or, rather, is unwilling to acknowledge it. Jeong-ho is a former prosecutor who quit his job after a scandal was covered up. Yu-ri is his fearless childhood friend — also an attorney — whose passion lies in helping powerless people get justice.
“Little Women” is a female-led K-drama that’s a loose adaptation of Louisa May Alcott’s novel of the same name. And I mean really loose. The central characters share some of the personality traits as the book’s sisters. And a primary theme in both revolves around the class distinctions between the wealthy and the poor. But this Korean version has its own tale to tell. The show doesn’t vilify the rich so much as it presents scenarios where good people are tempted to commit a crime, because they have nothing left to lose.
The “Big Mouth” cast is perfect, especially the lead actors Lee Jong-suk (as a lawyer on a losing streak) and Girls’ Generation’s Im Yoon-ah as his pragmatic wife (who’s a skilled nurse). There was not a moment where I didn’t believe that this couple was besotted with each other. Even when they argued, it was obvious that they cared so very much about each other.
Two Korean men move to Suriname in the hopes of making some fast money. Their goal is to buy skate, which Surinamese don’t want, for pennies and resell them in South Korea at an inflated price. But when cocaine is found in one of their shipments, both men are arrested and jailed.