“Seoul Vibe” (서울대작전)

“Seoul Vibe” is full of backstabbing, murder and mayhem. Director Moon Hyun-sung does a commendable job at keeping the plot moving, but he knows that the wild car chases are the key to this movie. 

“Extraordinary Attorney Woo” (이상한 변호사 우영우)

I loved “Extraordinary Attorney Woo.” The storylines were compelling and the actors did a fine job in bringing their characters to life. Park Eun-bin has been singled out for her extraordinary portrayal of a highly-functioning autistic attorney. But that’s where my conflict lies. As many autistic people have already pointed out, as good as Park was in her role, it is unsettling to watch a non-disabled actor portray a character who is on the spectrum. Most of my friends and acquaintances who have autistic children said they couldn’t force themselves to watch beyond the first episode, because her portrayal felt like a mockery of what they live through.

“Yumi’s Cells” (유미의 세포들): Season 2

The second season of “Yumi’s Cells” picks up where season one left off. After Yumi and Woong’s breakup, she ventures into a new relationship with an exceedingly attractive colleague named Ba-bi. They go on sweet dates and slowly fall in love. But when things seem too good to be true, Yumi almost anticipates their breakup. That’s what she has come to expect from men.

“Our Blues” (우리들의 블루스) Is One Of the Best K-Dramas in Recent Years

At first glance, “Our Blues” appears to be about a somewhat eccentric community of folks in Jeju-do — South Korea’s largest island. And it is. But it’s also about so much more. Over the course of 20 episodes, the series weaves together the complex stories of more than a dozen characters, creating a larger picture of love, forgiveness, and what it means to truly look out for one another.

“Thirty-Nine” (서른, 아홉)

“Thirty-nine” is a reminder that while we’ve all made mistakes in our lives, we can’t continue to punish ourselves forever. Life is short. There is no guarantee of a tomorrow. Be honest and live your best life.

“Twenty-Five Twenty-One” (스물다섯 스물하나)

The burgeoning romance in “Twenty-Five Twenty-One” is based on a strong friendship. But some viewers have pointed out that the story would’ve been more effective if the female lead character hadn’t been underage when they met.