Journalist, Author & Syndicated Columnist
This second season of the revenge series “Taxi Driver” is adept at tackling inspired-by-real-life cases, like the Burning Sun scandal, where privileged male clubgoers were given access to drug and assault women.
At the center of this series is a trio of middle-aged male friends. Sung-han (Cho Seung-woo) is a classical pianist turned divorce attorney. Kim Sung-kyun plays his best friend Hyung-geun, who is reticent to give his wife — who is already pregnant with her new partner’s baby — a divorce. And Jeong-sik (Jung Moon-sung) runs a real estate business in a building owned by Sung-han.
“It’s my dream to travel around the world and play with local musicians playing their traditional instruments,” Suga says in his documentary Suga: Road to D-Day. “It’s my dream to record them and make music based on that.” But he has trepidation, too. “I worry that I won’t have anything to talk about,” Suga says. “I have fears that I have no more dreams to follow.”
“Crash Course in Romance” is about an elite hagwon math tutor who is so popular that mothers line up at all hours to get their children seats at his lectures. By chance, he encounters a former national handball player who gave up her dreams of competing on an international level to care for her niece, who was abandoned by her mother.
The hit reality show “Physical: 100” had a ho-hum ending that highlights what could’ve been if the competition were more fair and strategic.
The early episodes of “Payback” held promise for a truly compelling thriller with the always great Lee Sun-kyung in the lead role. Lee plays Eung Yong, an ambitious man with a photographic memory when it comes to numbers. But the storylines get progressively more convoluted as the show progresses.
“Physical: 100” is riding high on the assumption that this athletic reality series is the real-life version of “Squid Game.” But as everyone knows by now, reality is a concept used to sell unscripted shows that are at least partially scripted to tell a certain story. Is this series fun to watch? At times. Is it novel? Not really. Anyone who remembers “American Gladiators” will recognize the cheese factor that drives these programs.
In an unusual cinematic coincidence, two critically acclaimed films about South Korean adoption were released in December depicting different sides of the adoption story. Broker focuses on a teenage girl who leaves her infant at a church’s safe haven baby box, while Return to Seoul tells the story of a French woman who reunites with her birth family just days after arriving in Korea. To better understand how these films speak to real-life adoptees, I talked to Korean academics, human rights experts, and adoptees. My reported piece for MASHABLE.
답답해. That’s the first feeling that comes to mind when I think of the K-drama “The Interest of Love.” The entire series is about a group of broken people who can’t articulate how they feel and are in a constant state of unhappiness because of this.
There’s a lot going on in this second season of “Alchemy of Souls.” The spineless King from the first season returns with a greed for power; the real Queen battles her soul-shifting nemesis; the Crown Prince — who had previously been smitten with Mu-deok — is attracted to Bu-yeon (and rescues a turtle to please her); and Jin Mu — the half brother of Jinyowon’s leader, Jin Ho-gyeong, enforces a reign of terror on everyone, including his sister.