11 Best K-dramas of 2020
11 Best K-Dramas of 2020: Rivals, Lovers, and Slow Burning Intrigue. These shows are must-watch television. My latest for Teen Vogue.
Tag: 3.5 stars
“It’s Okay to Not Be Okay” (사이코지만)
“It’s Okay to Not Be Okay” is an unconventional love story that also focuses beautifully on mental health. It depicts how the aftermath of abuse and abandonment affects the psyche, but reaffirms that no one is a lost cause — and that seeking help is self love.
“Train to Busan” (부산행)
“Train to Busan” does a great job at depicting how people deal with death during unthinkable times. When your loved one is infected and your only option is to perish (as human beings) with them or kill them so that you (and others) can survive, what would you do?
“Crash Landing on You” (사랑의 불시착)
A couple months after the series finale aired, I still find myself missing the characters in the superb K-Drama, “Crash Landing on You.”
“When the Camellia Blooms” (동백꽃 필 무렵)
“When the Camellia Blooms” starts off with so many things happening at once that it’s initially difficult to focus on all the different story arcs: a serial killer, small-town pettiness, marital issues and the possibility of romance. But as the series progressed, each consecutive episode found its focus and finished with a sweet and satisfying finale that felt true to the characters. There is death and sadness dotted throughout the series. But at its core, “Camellia” is a story of love — not just between a man and a woman, but between parents and their children.
“Signal” (시그널)
“Signal” makes you ponder the consequences of altering life. Is it fate for a person to die at a certain time, no matter how horrific that death might be? And knowing that saving someone’s life in the past could create catastrophic results in the future, would you still take that chance?
“BTS: Bring the Soul”: Episode 6
The finale of “Bring the Soul” coincides with the end of the European leg of BTS’ 2018 “Love Yourself” world tour. Each member is given his moment in the spotlight, but this episode was almost a coming-of-age tribute to Jungkook (who had just turned 21 on tour).
“Search: WWW” (검색어를 입력하세요: WWW)
“Search: WWW” is the only K-Drama I can think of where women had the kind of lead roles that ordinarily would’ve gone to men. The female characters not only were the rainmakers where they worked, they were the decision makers who the men followed.
“Hotel del Luna” (호텔 델루나)
Hotel del Luna is a gorgeous five-star hotel that only accepts dead souls, before they move onto heaven or hell. Yeo plays a Harvard-educated hotelier who is forced to work at the eponymous establishment, due to an agreement his father had made years ago. His boss is the otherworldly Mal-Wol, who has run Hotel del Luna for the past 1,300 years. She is neither dead or alive, but can’t peacefully enter the afterlife until she has settled her personal business on earth. Though the pair’s relationship starts off contentiously, they slowly fall in love and feel they are tied together by a force that can’t be explained.
“Ms. Hammurabi” (미스 함무라비)
Like most Korean dramas, there is a love triangle in “Ms. Hammurabi.” The difference is that there are so many interesting plots developing here that I cared more about the human rights issues that the judges were fighting for than the romance.