“Ode to My Father” (국제시장)

In a review that ran in the New York Times, film critic Jeannette Catsoulis gave “Ode to My Father” a big thumbs down for being “syrupy” and for having “packaged pain … likely to leave Western audiences cold.” While there is no doubt that director Yoo Je-Kyoon would’ve loved for American audiences to embrace his movie, it’s also undeniable that this film was not made with Western moviegoers in mind. It was made for Koreans.

“Running Man (런닝맨)”

The combination of slapstick humor and witty banter makes “Running Man” a fun viewing experience, even for those who don’t understand Korean. For instance, there is a recurring game where participants will stand in front of mike stands that are rigged to blast air in their faces if they answer incorrectly. My son, now 8, has no comprehension of what’s being asked, but he will search these episodes out to laugh at the slo-motion expressions on the cast members faces when they are “punished.”

“Descendants of the Sun” (태양의 후예)

Production on “Descendants of the Sun” began just three months after Song Joong-Ki finished his mandatory two-year military duty in Korea. He displays an easygoing flair in the role of the charismatic leader of the Alpha Team. Even bulked up (for him), Song is slight of build and baby faced. At times, I wondered whether someone like So Ji-Sub would’ve been better cast in the role. But, what he lacks in brawn, Song makes up with magnetism. He has one of those faces that the camera loves.

“Secretly, Greatly” (은밀하게 위대하게)

“Secretly, Greatly” starts off as a comedy and veers off into a drama with a graphic, violent ending. Had the film stuck to one genre, the result would’ve been more cohesive and effective. Still, it’s a worthwhile film that will keep viewers on the edge of their seats. Kim Soo-Hyun shows impressive range in his dual portrayal of a North Korean spy and the dimwitted village idiot that’s his cover.

“Coffee Prince” (커피프린스)

On the surface, “Coffee Prince” is your standard boy-meets-girl romantic comedy with a few roadblocks thrown in for good measure. Thanks to the chemistry shared by the attractive leads (Gong Yoo and Yoo Eun Hye), the series is highly watchable and I understand why so many fans are repeat viewers. But beneath the cute exterior, the series deals with issues such as sexual confusion, gender roles and poverty.

“Answer Me 1997” (응답하라 1997)

Everything that “How I Met Your Mother” did wrong (including its series finale), “Answer Me 1997” does right. Funny and poignant with superb acting by the entire cast, the series tells the story of 6 childhood friends whose lives are intertwined through adulthood. Kudos to K-pop Hoya (of the group Infinite) for his thoughtful (and unstereotypical) portrayal of a gay teenager who is in love with his best friend; and to the writers for not portraying it as “weird.”

“Always” (오직 그대만)

Don’t let this sunny photo fool you. “Always” (오직 그대만) just about broke my heart. Both So Ji Sub and Han Hyo Joo are appealing in their roles. They convey the right emotions, without being maudlin or resorting to histrionics. Some might say that the ending was cheesy, but I found it to be delightful and full of hope.

Korean tensions erupt in action film ‘Shiri’ (쉬리)

The opening sequence of “Shiri” is so frenetic and violent that some filmgoers may wince at the unrelenting brutality. But if you can make it through the first few minutes, there’s cinematic eye candy waiting to enthrall you. One of the fiercest soldiers on an elite North Korean force is Hee, a young female sniper who shoots to kill and never misses. When enemy soldiers are hunted, she shows no feeling as she decapitates her prey. When she retires, she is given a solemn, heroic sendoff.