Journalist, Author & Syndicated Columnist
“If everyone decides to corroborate a lie, then it becomes the truth.” One of the characters in the K-drama “Revenge of Others” says this near the end of the series. And in many ways, it sums up the thesis of this high school revenge series, which is a murder mystery with twists and turns. And though I guessed early on who the murderer was, I didn’t anticipate the why.
Yu-mi is smart and talented. Unfortunately for the overly proud girl, she hails from a working class family. Her parents own a small tailor shop. At a young age, she learned sign language to communicate with her mother, who is unable to speak. Although none of this is shameful, the class-conscious little child does feel shame throughout her life because of her family’s difficult circumstances.
“Alchemy of Souls” revolves around a nobleman who was born a mage, but had his powers taken away from him by his father, who may or may not actually be his father. The secret surrounding his birth runs throughout the series and is a source of contention for Uk, and rightfully so. Everyone deserves to know where they came from and these secrets that supposedly are for the child’s own good rarely are.
Based on the French series “Call My Agent,” this K-drama actually reminds me more of the U.S. show “Entourage,” but from the viewpoint of combative entertainment agents. “Behind Every Star” focuses on a team of elite agents whose clients include top stars who need to have their egos stroked on a regular basis
The best K-dramas of 2022 were bookended by a pair of brutal teen-centric dramas that premiered at the beginning of the year (“All of Us Are Dead”) and the end (“Weak Hero Class One”). They frame a year of superb Korean dramas, so many that it was difficult to narrow it down to just 11 top picks.
If you could change places with a wealthy acquaintance, with the condition that you have to give your family to do so, would you? That’s the moral question behind “The Golden Spoon,” which stars BtoB’s Yook Sung-jae (“Goblin,” “Mystic Pop-up Bar”).
“The Dude In Me” is a 2019 Korean fantasy film that centers on a high-ranking gangster and a high school student. When the latter accidentally falls from his school roof, he lands on the mobster. While neither dies, the mishap somehow switches the pair’s bodies and minds. Now, wiseguy Pan-soo is trapped in the body of chubby and bullied teenager Dong-hyun, while Dong-hyun is stuck in Pan-soo’s comatose body.
“Little Women” is a female-led K-drama that’s a loose adaptation of Louisa May Alcott’s novel of the same name. And I mean really loose. The central characters share some of the personality traits as the book’s sisters. And a primary theme in both revolves around the class distinctions between the wealthy and the poor. But this Korean version has its own tale to tell. The show doesn’t vilify the rich so much as it presents scenarios where good people are tempted to commit a crime, because they have nothing left to lose.
The “Big Mouth” cast is perfect, especially the lead actors Lee Jong-suk (as a lawyer on a losing streak) and Girls’ Generation’s Im Yoon-ah as his pragmatic wife (who’s a skilled nurse). There was not a moment where I didn’t believe that this couple was besotted with each other. Even when they argued, it was obvious that they cared so very much about each other.
Two Korean men move to Suriname in the hopes of making some fast money. Their goal is to buy skate, which Surinamese don’t want, for pennies and resell them in South Korea at an inflated price. But when cocaine is found in one of their shipments, both men are arrested and jailed.