“Love in the Moonlight” (구르미 그린 달빛)

Second lead syndrome is strong in “Love in the Moonlight.” And although it’s obvious from the beginning who will end up with the girl, I honestly would’ve been fine with either. Are you #TeamBoGum or #TeamJinYoung?!

“My First First Love” (첫사랑은 처음이라서): Season 1

Five friends, four of them living together in one house. It becomes clear early on that the writers are setting up the premise for the roomies to pair off romantically. But because this is a K-Drama, there’s a hitch and, in this case, it’s the fifth friend who lives at home with his hard-working father. (Less of a storytelling inconvenience is a snooty rich girl who dates the male lead.)

“The Crowned Clown” (왕이 된 남자)

A serialized remake of the 2012 film “Masquerade” (광해: 왕이 된 남자), “The Crowned Clown” stars Yeo Jin-goo as young, immoral king Yi Heon, whose crown is constantly under threat. Drugged out on opium (initially unknowingly, and later willingly), he eagerly agrees to allow a lookalike jester, Ha Seon, to impersonate him until things are under control. In other words, let the clown be assassinated in his place.

“Memories of the Alhambra” (알함브라 궁전의 추억)

A unique series that kept me guessing until the end, “Memories of the Alhambra” starts off with a strong, intriguing premise: A teenage videogame developer has created an addictive world of augmented reality (AR), where players interact seamlessly with medieval warriors. Gamers go to real-life places (e.g. restrooms in neighborhood bars) to acquire weapons, which are only visible to people wearing special optical lenses.

“SKY Castle” (SKY 캐슬)

Having just finished “Sky Castle,” I am left with a little lump in my throat, not because it’s over, but because I know there are so many children out there who are at the mercy of a brutal educational system — where you are told your life means nothing if you don’t get into Seoul National University, Korea University or Yonsei University.

“Sunny” (써니)

Released in 2011, “Sunny” focuses on a group of middle-aged women, who reunite to fulfill their terminally-ill friend’s wish to see them all together again. The premise sounds maudlin, but deftly directed by Kang Hyeong-Cheol, the film moves seamlessly between the women’s current lives and their (relatively) care-free high school days.

“My Secret, Terrius” (내 뒤에 테리우스)

A spy and a widowed housewife become embroiled in espionage, kidnapping and murder. But it’s not all thrills in this breezy series (also known as “Terius Behind Me”), which offers comic relief in the form of an apartment complex full of nosy neighbors, who are almost as skilled in ferreting out secrets as the secret agents.

“The Smile Has Left Your Eyes” (하늘에서 내리는 일억개의 별)

A remake of the 2002 Japanese TV series, “Sora Kara Furu Ichioku no Hoshi,” “The Smile Has Left Your Eyes” wasn’t nearly as subversive as the original, which had almost no moral compass (incest, murder, underage sex). A Korean film could’ve tackled those topics. But I knew there was no way a primetime Korean drama would delve too much into the seamier aspects of society.

“My Love, Don’t Cross That River” (님아, 그 강을 건너지 마오)

“My Love, Don’t Cross That River” is a love story that shows there is beauty to be found in everyday life, even with death looming. A languid documentary about an elderly couple that has been married for more than 70 years, the 86-minute film — which is both tranquil and heartbreaking — is deftly directed by Jin Mo-Young.

“I Hear Your Voice” (너의 목소리가 들려)

I finished watching “I Hear Your Voice” around the same time that I started “Pretty Noona Who Buys Me Food.” Both deal with older women/younger men plots, where the woman is about eight years older than her partner. The problem I had with “I Hear Your Voice,” though, is that the boy is a high school senior when the relationship begins. And while Soo-Ha certainly is more mature than Hye-Sung in many ways, he is still a teenager.

“Pretty Noona Who Buys Me Food” (밥 잘 사주는 예쁜 누나)

“Pretty Noona Who Buys Me Food” is sold as a May-December romance. That may be one reason I wasn’t eager to watch this series. While the central storyline delves into the relationship between the pretty noona and her childhood friend’s younger brother, the most compelling subplot — that wasn’t really fleshed out — was workplace sexual harassment. By the way, this isn’t a May-December romance.

“Be With You” (지금 만나러 갑니다)

If you could re-live a part of your life, knowing that the time you had with your loved ones would be fleeting, would you risk it? The Korean feature film “Be With You” (지금 만나러 갑니다) offers this intriguing concept. It wasn’t perfect, but it made my heart hurt … and happy.

“BTS: Burn the Stage”: Episode 7

Having your music cut out mid-song is a living nightmare for musicians. But if you have the wherewithal to go with the flow with the good and the bad, those moments also can become a highlight of the evening. During a concert in Osaka last year, J-Hope was faced with exactly this dilemma. He describes it as the worst thing that can happen at a show. But he handled it with aplomb.

“Strong Woman Do Bong-Soon” (힘쎈여자 도봉순)

“Strong Woman Do Bong-Soon” came out around the same time as “Weightlifting Fairy Kim Bok-Joo.” And that was one reason why I waited so long to watch it. While the latter was a cute drama, it wasn’t great. “Strong Woman” is a wonderful series that started off with so much potential. The first few episodes were so great that I thought I might be awarding it four stars. But I ended up docking it a point, because of the cringe-inducing way it treated gays.

“BTS: Burn the Stage”: Episode 6

The men in BTS are still so young. But I get the impression that they are not oblivious to the passage of time. They know the half life of a musician’s career isn’t forever. Far from it. And while a part of me feels sad that they had to grow up so fast in the music business, the other part is grateful that they appear to be making plans for the future, even as they are enjoying what they have today.

“BTS: Burn the Stage”: Episode 5

I was delighted that Chicago was so beautifully prominent in this episode. Late one night back at their hotel, they’re trying to figure out how to perform on a tiny stage for their first U.S. television appearance. I used to do a little work for JBTV way back when, and I can tell you that the stage is tiny. It’s fine for most of the bands that pass through Chicago. But most bands aren’t BTS.

“BTS: Burn the Stage”: Episode 4

The argument between two members of BTS was hyped up as being a shocking revelation in the previews. But for anyone who has a sibling — or who has ever been in a serious relationship — speaking the uncomfortable truth is par for the course. Arguments often aren’t about what you’re addressing at the time, but rather all the little things that have built up to make you reach that boiling point. What was more interesting to me was watching Jin and V dig to the bottom of the real issue: respect.

“Call Me Mother” (마더)

A common element running throughout the plot is that you are not a “real” child if you don’t share your parents’ DNA. One of the central characters views herself as superior to her adopted sister, because … adoption. The emphasis on a family’s pure bloodline is still in effect today in Korea. And though more adoptive families are telling their children about their adoption stories, many still let their kids assume they are biologically related to their adoptive parents.