Journalist, Author & Syndicated Columnist
This second season of “Penthouse” is full of subterfuge, a revelation about who one of the students’ real father is and lots and lots of comeuppance. Oh, and there’s the murder of another teenage student, too.
Well written and terrifically acted, “The Uncanny Counter” is suspenseful and heartwarming. And in a rarity for Korean dramas, there is no second lead syndrome romance to mess with the plot.
“Penthouse” starts off with the most makjang storyline of the year. This deliciously gripping female-centric series revolves around rival classical singers and includes a (dun dun dun!) switched-at-birth plot twist. Did I mention that one of male characters has a torture chamber in his home, because, why not? Mixed in with the outrageous content is a parable about the haves and the have nots.
“Start-Up” has a second male lead (Kim Seon-ho) who is so charismatic that his storyline often overshadows that of the very handsome lead (Nam Joo-hyuk). Ultimately, the K-Drama reinforces the idea that no matter how broken a family is, the ties remain – for better or worse.
11 Best K-Dramas of 2020: Rivals, Lovers, and Slow Burning Intrigue. These shows are must-watch television. My latest for Teen Vogue.
“Record of Youth” is Park Bo-Gum’s swan song before he enlisted to serve his mandatory military duty in South Korea. While it’s meant to be a traditional love story, the friendship between the three male leads and the woman Park loves was the real draw.
There’s so much lying going on in the second season of “Stranger” that it’s difficult to figure out who’s truth is real. There are so many players convinced that their own criminal acts are for the betterment (cough cough) of Korea’s economy and future that they should be given a pass on their own wrongdoings.
The chemistry between Lee Joon-Gi and Moon Chae-Won is strong in “Flower of Evil.” Viewers never doubt their love for each other. One of the most telling signs of their relationship is that even during times when she isn’t sure who he really is, she never stops referring to him as 자기야 / jagiya, which literally means that he is hers.
Cho Seung-Woo and Bae Doona are superb portraying a taciturn prosecutor and an intuitive police detective, respectively. He is aloof and shows no emotions. She is thorough and unafraid to go against her superiors’ orders to ferret out the truth.
What “Misaeng” does so very well is that it depicts how difficult life can be when everything is stacked against you, and you begin to believe that you don’t deserve more than the scraps people are willing to throw at you.