Journalist, Author & Syndicated Columnist
It is easier for a cisgender man than a gay man to survive in a cutthroat society where the latter is unwelcome. This is true in just about any society, but especially so in South Korea where LGBTQ rights are still sorely lacking.
In the Academy Award-nominated film “Past Lives,” the Korean concept of inyeon is used to lead viewers into believing that Nora (Greta Lee) and Hae-sung (Teo Yoo) are destined to be together – if not in this lifetime, then in the future. Or perhaps they were together in a distant past that neither can recall. The introduction of the word leaves moviegoers hoping that these two can have a happily-ever-after ending, despite his living in Seoul, 7,000 miles from her apartment in New York City.
It’s not easy for two well-known celebrities to immerse themselves in their roles so well that we don’t see them, but rather their characters. But watching IU’s music video for “Love Wins All,” I didn’t see pop stars IU and V, but rather a pair of anguished characters who were trying desperately to survive in this post-apocalyptic inferno.
“BTS Monuments: Beyond the Star” isn’t always easy to watch. Very real issues are discussed, including severe depression that hints at suicidal ideation. But what comes through is that it’s the group’s hope, friendship, humor and love that binds them together.
What a year for great K-dramas. With so many choices, it was difficult leaving out some of my favorites from this best K-dramas list. As for my top selections, I chose them because each is binge-worthy and features superb acting, well developed storylines that inform and celebrate, and explorations of real-life issues that may be specific to South Korea, but also share universal relevance.
Each of us has our own favorite K-dramas that are informed by our own personal experiences (and access). For instance, I was never able to get my hands on South Korea’s early dramas like “Death Row Prisoner,” which premiered in 1956. Therefore, my picks are influenced by what I’ve seen, which are primarily shows from 2000 onward.
Back in my era, the teachers encouraged immigrants to only speak English at home so that we wouldn’t fall behind. But what they didn’t know at the time — or perhaps they didn’t really care about — was that in the rush to make us understand English, many of us lost our ability to converse in our birth language.
One of the best K-dramas of the year, “Queenmaker” is the latest female-centric series led by women in their 40s (and older) that in nail-bitingly good. A political thriller with twists and turns, two foes unite to take down a corrupt chaebol family that will stop at nothing to protect their financial and familial interests.
“Under the Queen’s Umbrella” is my top pick of 2022. If you’re looking for a fantastic series to watch, this sageuk/사극 (or historical drama) is difficult to beat. Kim Hye-soo is magnificent as a queen whose sons’ lives (and her own) are in danger if the Crown Prince dies. She is whip smart and almost always one step ahead of her enemies, who want to destroy her family to elevate their own.
The best K-dramas of 2022 were bookended by a pair of brutal teen-centric dramas that premiered at the beginning of the year (“All of Us Are Dead”) and the end (“Weak Hero Class One”). They frame a year of superb Korean dramas, so many that it was difficult to narrow it down to just 11 top picks.