Journalist, Author & Syndicated Columnist
“Start-Up” has a second male lead (Kim Seon-ho) who is so charismatic that his storyline often overshadows that of the very handsome lead (Nam Joo-hyuk). Ultimately, the K-Drama reinforces the idea that no matter how broken a family is, the ties remain – for better or worse.
“Hi Bye, Mama” is a testament to mothers, who will sacrifice their own happiness for the sake of their children. This was Kim Tae-Hee’s return to K-Dramas after giving birth to her own two daughters.
K-Dramas tackle topics not often talked about in everyday conversation. By doing so, they bring some important subject matters, like adoption, to the forefront.
“Five Fingers” is what I categorize as a “Melrose Place” series, where an evil character treats people like garbage, but viewers are expected to root for them, because they occasionally show signs of humanity. No. Just no!
Not too long ago, I fell down and ripped the top layer of skin off my knee. As the wound started to heal, the scab, too, started to fall off. But enough of it was still dangling from my knee to be uncomfortable. To many people who don’t want to hear about white privilege, I am that scab. My experiences, words and I are annoying reminders that life isn’t always what you want it to be.
The main characters in K-dramas often demonstrate their love by attaching personalized padlocks on a fence on the tower’s observation deck. Tens of thousands of “love locks” can be found here. It’s a trend well established in cities such as Paris and Prague, but the tradition has taken on an added dimension in Seoul. While couples still attach locks to declare their love for one another, the fence has become a popular spot for adoptees and their adoptive parents to leave padlocks honoring the day they became a family.
In this week’s edition of Anonymous Asked a Question, we get a query about whether I think it’s a good idea to enroll my child in a weekend language school.
There is no excerpt because this is a protected post.
There’s a funny video floating around on social media that’s getting a lot of attention. It shows a young woman of Asian descent preparing for a jog. A white man starts a conversation with her with the dreaded, “Where are you from?” For a lot of people, this is an innocuous enough question. If you say, “Maine,” or “California,” or “Florida,” that’s usually the end of the conversation. But if you look like I do, the series of questions won’t stop until your lineage is traced back to ancient fill-in-the-blank.
There is no excerpt because this is a protected post.
There is no excerpt because this is a protected post.
It’s been drilled into our heads that the best way to get a cheap airline ticket is to buy it well in advance of your travel date. But parents adopting children from overseas often have no idea when that date might be. And once their adoption agency gives them the go-ahead to bring home their child, they typically have only a matter of days to make all the arrangements.
There is no excerpt because this is a protected post.
With Trail of Crumbs: Hunger, Love, and the Search for Home (Grand Central, 370 pages, $24.99), first-time author Kim Sunee writes a fascinating account of her life thus far. Abandoned as a child in South Korea, Sunee remembers telling the policemen who found her that her name was Chong Ae Kim, she was 3 years old and her mother — who had left her with a small fistful of food — would be coming back for her. endure insensitive remarks from people who don’t understand the longing children may feel for the birth families they can no longer remember.
Writer-director David O. Russell looks a lot like Ben Stiller, who stars in Russell’s latest picture, “Flirting With Disaster.” The physical similarity hasn’t been lost on the director of the critically acclaimed “Spanking the Monkey.” “I wouldn’t say that that’s why Ben got the part,” Russell said earlier this month during a lunch interview at the Ritz-Carlton Hotel downtown. “But yes, it’s come to my attention that there is a likeness between the two of us.”
