Journalist, Author & Syndicated Columnist
If you watched Sylvester Stallone’s 1987 arm wrestling film “Over the Top” and hated it, don’t let that deter you from giving “Champion” a shot. Starring Ma Dong-seok (“Train to Busan,” “Eternals,” “The Roundup” films), the buff actor has a knack for comedy.
There is a lot going on in “Moving,” Disney’s most-watched K-drama to date. Initially, it appears the series will center on heroic teenagers. But as intriguing as the storylines are for the children, it’s the parents’ arcs that really piqued my interest.
“XO, Kitty” tackles adoption, diaspora and maintaining Korean ties. But is it any good? Not really.
One of the best K-dramas of the year, “Queenmaker” is the latest female-centric series led by women in their 40s (and older) that in nail-bitingly good. A political thriller with twists and turns, two foes unite to take down a corrupt chaebol family that will stop at nothing to protect their financial and familial interests.
This second season of the revenge series “Taxi Driver” is adept at tackling inspired-by-real-life cases, like the Burning Sun scandal, where privileged male clubgoers were given access to drug and assault women.
“Crash Course in Romance” is about an elite hagwon math tutor who is so popular that mothers line up at all hours to get their children seats at his lectures. By chance, he encounters a former national handball player who gave up her dreams of competing on an international level to care for her niece, who was abandoned by her mother.
The “Green Mothers’ Club” revolves around a group of moms whose lives are spent pushing their young children to academic excess. They spend money they don’t have on after-school hagwons for extra tutoring. And they clique together and take turns turning on whichever mom has been deemed the weakest for that week. Ultimately, the young lives they’re trying to elevate are the ones who suffer.
In an unusual cinematic coincidence, two critically acclaimed films about South Korean adoption were released in December depicting different sides of the adoption story. Broker focuses on a teenage girl who leaves her infant at a church’s safe haven baby box, while Return to Seoul tells the story of a French woman who reunites with her birth family just days after arriving in Korea. To better understand how these films speak to real-life adoptees, I talked to Korean academics, human rights experts, and adoptees. My reported piece for MASHABLE.
The conceit of “May I Help You?” revolves around a young woman who is working as a funeral director. Dong-ju is smart with a sunny disposition, but no one believes that handling dead people is a suitable career for her. But she has been gifted with a special power to talk to the deceased and grant them their final wish.
