“No Gain No Love” (손해 보기 싫어서)
Starring Shin Min-a and Kim Young-dae, “No Gain No Love” falls into the contract marriage trope. But, oh, it offers so much more.
Tag: adoption element
“Champion” (챔피언)
If you watched Sylvester Stallone’s 1987 arm wrestling film “Over the Top” and hated it, don’t let that deter you from giving “Champion” a shot. Starring Ma Dong-seok (“Train to Busan,” “Eternals,” “The Roundup” films), the buff actor has a knack for comedy.
“Moving” (무빙)
There is a lot going on in “Moving,” Disney’s most-watched K-drama to date. Initially, it appears the series will center on heroic teenagers. But as intriguing as the storylines are for the children, it’s the parents’ arcs that really piqued my interest.
“XO, Kitty” Tackles Adoption, Diaspora & Maintaining Korean Ties
“XO, Kitty” tackles adoption, diaspora and maintaining Korean ties. But is it any good? Not really.
“Queenmaker” (퀸메이커)
One of the best K-dramas of the year, “Queenmaker” is the latest female-centric series led by women in their 40s (and older) that in nail-bitingly good. A political thriller with twists and turns, two foes unite to take down a corrupt chaebol family that will stop at nothing to protect their financial and familial interests.
“Taxi Driver” (모범택시): Season 2
This second season of the revenge series “Taxi Driver” is adept at tackling inspired-by-real-life cases, like the Burning Sun scandal, where privileged male clubgoers were given access to drug and assault women.
“Crash Course in Romance” (일타 스캔들)
“Crash Course in Romance” is about an elite hagwon math tutor who is so popular that mothers line up at all hours to get their children seats at his lectures. By chance, he encounters a former national handball player who gave up her dreams of competing on an international level to care for her niece, who was abandoned by her mother.
“Green Mothers’ Club” (그린마더스클럽)
The “Green Mothers’ Club” revolves around a group of moms whose lives are spent pushing their young children to academic excess. They spend money they don’t have on after-school hagwons for extra tutoring. And they clique together and take turns turning on whichever mom has been deemed the weakest for that week. Ultimately, the young lives they’re trying to elevate are the ones who suffer.
How “Broker” and “Return to Seoul” reveal hard truths about Korean adoption
In an unusual cinematic coincidence, two critically acclaimed films about South Korean adoption were released in December depicting different sides of the adoption story. Broker focuses on a teenage girl who leaves her infant at a church’s safe haven baby box, while Return to Seoul tells the story of a French woman who reunites with her birth family just days after arriving in Korea. To better understand how these films speak to real-life adoptees, I talked to Korean academics, human rights experts, and adoptees. My reported piece for MASHABLE.
“May I Help You?” (일당백집사)
The conceit of “May I Help You?” revolves around a young woman who is working as a funeral director. Dong-ju is smart with a sunny disposition, but no one believes that handling dead people is a suitable career for her. But she has been gifted with a special power to talk to the deceased and grant them their final wish.
“Revenge of Others” (3인칭 복수)
“If everyone decides to corroborate a lie, then it becomes the truth.” One of the characters in the K-drama “Revenge of Others” says this near the end of the series. And in many ways, it sums up the thesis of this high school revenge series, which is a murder mystery with twists and turns. And though I guessed early on who the murderer was, I didn’t anticipate the why.
“Business Proposal” (사내 맞선)
“Business Proposal” relies on the love contract trope, where a man hires a woman to be his pretend girlfriend. Almost all of the men are drop-dead gorgeous and would have no problem finding a real-life partner. But real relationships also come with real problems that these men don’t want to deal with.
“Weak Hero Class 1” (약한영웅 Class 1)
Park Ji-hoon is almost unrecognizable from his Wanna One days. Leading this cast, which also includes Choi Hyun-wook (Twenty Five Twenty One) and Hong Kyung (D.P.), Park is so intensely good as a bullied boy who uses classical conditioning (Pavlov’s Dog) and Newton’s Laws of Motions to fight back against his tormentors.
Don’t believe the K-dramas: Look to “Return to Seoul” for a more realistic view on Korean adoptees
In the superb “Return to Seoul” – which is Cambodia’s Oscar entry for the Best International Film category – French Cambodian filmmaker Davy Chou (“Golden Slumbers”) takes a look at what it means to be an adoptee who unexpectedly is reunited with her birth parents.
“Love in Contract” (월수금화목토)
Sang-eun (Park Min-young) is a stunning young woman who has carved out a niche for herself marrying men. Nope, she’s not a gold digger. Her relationships with her clients are platonic and are based on a meticulously-worded love contract. Well educated and discreet, she is the perfect girlfriend/bride for men who need a well-heeled partner to show off.
“Thirty-Nine” (서른, 아홉)
“Thirty-nine” is a reminder that while we’ve all made mistakes in our lives, we can’t continue to punish ourselves forever. Life is short. There is no guarantee of a tomorrow. Be honest and live your best life.
‘Vincenzo’ and adoption myth entrenched in Korean society
“Having been raised using Korean in her family, a Korean American journalist said that she still struggled to speak Korean fluently, and this experience led her to question why Korean entertainment writers and consumers failed to question improbable stories, such as that of ‘Vincenzo,” Lee Kyung-eun — the director of Human Rights Beyond Borders — wrote in her OpEd piece. The journalist she is talking about … is me.
K-drama Adoption Storylines Are Making Positive Strides, But There’s More Work to Do
“Having diverse characters leads to endless possibilities for storytelling. And there are infinite ways to tell an adoptee’s story…”
“You Are My Spring” (너는 나의 봄)
“You Are My Spring” stresses the importance of mental health care and normalizing treatment for everyone, rather than as something that’s just for the clinically insane. And … There’s also a serial killer element.