“Revenge of Others” (3인칭 복수)

“If everyone decides to corroborate a lie, then it becomes the truth.” One of the characters in the K-drama “Revenge of Others” says this near the end of the series. And in many ways, it sums up the thesis of this high school revenge series, which is a murder mystery with twists and turns. And though I guessed early on who the murderer was, I didn’t anticipate the why.

“Business Proposal” (사내 맞선) 

“Business Proposal” relies on the love contract trope, where a man hires a woman to be his pretend girlfriend. Almost all of the men are drop-dead gorgeous and would have no problem finding a real-life partner. But real relationships also come with real problems that these men don’t want to deal with.

“Weak Hero Class 1” (약한영웅 Class 1)

Park Ji-hoon is almost unrecognizable from his Wanna One days. Leading this cast, which also includes Choi Hyun-wook (Twenty Five Twenty One) and Hong Kyung (D.P.), Park is so intensely good as a bullied boy who uses classical conditioning (Pavlov’s Dog) and Newton’s Laws of Motions to fight back against his tormentors.

Don’t believe the K-dramas: Look to “Return to Seoul” for a more realistic view on Korean adoptees

In the superb “Return to Seoul” – which is Cambodia’s Oscar entry for the Best International Film category – French Cambodian filmmaker Davy Chou (“Golden Slumbers”) takes a look at what it means to be an adoptee who unexpectedly is reunited with her birth parents.

“Love in Contract” (월수금화목토)

Sang-eun (Park Min-young) is a stunning young woman who has carved out a niche for herself marrying men. Nope, she’s not a gold digger. Her relationships with her clients are platonic and are based on a meticulously-worded love contract. Well educated and discreet, she is the perfect girlfriend/bride for men who need a well-heeled partner to show off.

“Thirty-Nine” (서른, 아홉)

“Thirty-nine” is a reminder that while we’ve all made mistakes in our lives, we can’t continue to punish ourselves forever. Life is short. There is no guarantee of a tomorrow. Be honest and live your best life.

‘Vincenzo’ and adoption myth entrenched in Korean society

“Having been raised using Korean in her family, a Korean American journalist said that she still struggled to speak Korean fluently, and this experience led her to question why Korean entertainment writers and consumers failed to question improbable stories, such as that of ‘Vincenzo,” Lee Kyung-eun — the director of Human Rights Beyond Borders — wrote in her OpEd piece. The journalist she is talking about … is me.