“Flex X Cop” (재벌X형사)

“Flex X Cop” takes the chaebol trope, mixes it up with a cops-and-robbers theme, and adds a dash of comedic elements to keep things interesting.
Journalist, Author & Syndicated Columnist
“Flex X Cop” takes the chaebol trope, mixes it up with a cops-and-robbers theme, and adds a dash of comedic elements to keep things interesting.
“See You in My 19th Life” delves into reincarnation. And as it does so, it drives home the point that even if you are assured of living more than one life, what’s important is that you live your best life, rather than muddling through and wasting time.
The second season of “Yumi’s Cells” picks up where season one left off. After Yumi and Woong’s breakup, she ventures into a new relationship with an exceedingly attractive colleague named Ba-bi. They go on sweet dates and slowly fall in love. But when things seem too good to be true, Yumi almost anticipates their breakup. That’s what she has come to expect from men.
Yumi is a woman in her early thirties, who had spent most of her twenties with a man who used her financially, cheated on her and then left her after seven years together. She viewed those as wasted years and, in some ways, is correct. Doting on a partner who doesn’t value you is nothing to be proud of. But there’s also something to be said for learning from negative experiences.
“Military Prosecutor Doberman” explores some of the same themes as last year’s superior “D.P.” — but with more fight scenes, comedy and shirtlessness, courtesy of the series star Ahn Bo-hyun (“Itaewon Class”). It also stars Jo Bo-ah as his kickass colleague who’s as full as vengeance as he is.
You know how in most action series, there is that one guy who can fight a team of gangsters, get stabbed and bounce back into action in no time? In “My Name,” that guy is a kickass woman.
“Kairos” starts off promising and is reminiscent of the best elements of “Signal.” But where the latter kept the suspense going until the end, “Kairos” fizzles out midway, with redundant story arcs and some characters that are not only irredeemable, but highly unlikeable. And I’m not talking just about the villains.
Some of South Korea’s most beloved talent enjoy finding a good bargain. This doesn’t mean they’re cheap. But what it does indicate is that they understand the value of hard-earned money.
Park Seo-Joon, Hyun Bin, Lee Jae-Wook and Ahn Bo-Hyun really impressed viewers with their work in 2020!
Sometimes even wealthy celebrities choose to remain at home with their parents for a variety of reasons, including being able to help them financially and having a comfortable place where they can live with people they love and trust. It can be a win-win situation.
“Itaewon Class” is one of those rare K-Dramas where I disliked both female leads for different reasons. But it just goes to show that a good series doesn’t need a loveline to hold the viewer’s interest.
“Her Private Life” starts off as a clever comedy about Sung Duk-Mi — a cultured art curator who also is a diehard fangirl. But it also deftly tackles child abandonment, reunification and forgiveness. The concept of what constitutes a family was a recurring theme. It was refreshing to see that relationships based on bloodlines weren’t the only ones valued and that families are sometimes borne from tragic circumstances.
Production on “Descendants of the Sun” began just three months after Song Joong-Ki finished his mandatory two-year military duty in Korea. He displays an easygoing flair in the role of the charismatic leader of the Alpha Team. Even bulked up (for him), Song is slight of build and baby faced. At times, I wondered whether someone like So Ji-Sub would’ve been better cast in the role. But, what he lacks in brawn, Song makes up with magnetism. He has one of those faces that the camera loves.