Journalist, Author & Syndicated Columnist
Unlike most radio stations’ holiday extravaganzas, WTMX-FM (101.9) takes a less-is-more approach. Instead of glomming eight or 10 bands to play a marathon show in an enormodome, the station known as the Mix selects a couple mainstream acts to headline each year. The result rarely is cutting edge, but almost always a pleasant experience.
Got angst? Well, so do Alanis Morissette and Tori Amos. And the two women channeled theirs in very different ways Saturday at the New World Music Theatre. Opening her set with “Sympathetic Character,” headliner Morissette performed a variety of material that ranged from lusty rockers to lullaby-pretty ballads. She alternated between songs from her current album “Supposed Former Infatuation Junkie” and her breakthrough 1995 album “Jagged Little Pill” – which have sold more than 30 million copies worldwide – and gave the show a cohesive feel.
Need a New Year’s Eve date? Then check out the January issue of Cosmopolitan. Chicagoan Shawn McClain is featured as “Cosmo’s Single Guy” of the month.
Movie soundtracks have become music to record companies’ ears. Once studios discovered that popular music from such artists as Simon and Garfunkel and the BeeGees could help sell a film, the lush orchestral scores that were the high-water mark of the ’50s all but disappeared. These days, soundtracks have become far more than promotional tools for hyping a movie. They are thriving independently of the films that spawn them to become a force on the album charts – with some even outliving their big screen brethren.
If you have MTV, try to catch the exclusive airing of Radiohead’s “Paranoid Android” video. The fully animated clip was drawn by Magnus Carlson, whose animated “Robin” series is a favorite in Great Britain. The band is briefly depicted in a bar at the end of the 6-1/2-minute video, but the music and the stark images are the stars.
If there’s any justice at all, Beck, Smashing Pumpkins and Tracy Chapman will lug a few Grammy Awards home on Wednesday. And Alanis Morissette, whose “Jagged Little Pill” was released in June, 1995, will be shut out of this year’s ceremonies.
It’s difficult to believe it has been three years since the Gin Blossoms released their breakthrough album “New Miserable Experience” – until you attend their concert and realize you know just about every song. Nonetheless, the familiarity of the Blossoms’ music did nothing to detract from the enjoyment of their well-crafted pop-rock songs when the musicians headlined Sunday at the Taste of Chicago.
Now is the summer of our discontent. That’s the only possible conclusion you can draw if you’ve been anywhere near a radio lately. Summer used to be the season of catchy, bouncy, bubblegum music. Not this year. The airwaves of summer ’95 – suddenly, inexplicably – are clogged with hummable odes to depression, confusion, weird characters and questionable behavior.