Journalist, Author & Syndicated Columnist
“BTS Monuments: Beyond the Star” isn’t always easy to watch. Very real issues are discussed, including severe depression that hints at suicidal ideation. But what comes through is that it’s the group’s hope, friendship, humor and love that binds them together.
A reminder that it’s really gross to tell people that their identity is determined by what language they speak — or what language they choose to sing in. Part 2 of my coverage of that problematic NYT K-pop podcast.
The thesis of the New York Times’ podcast questions whether K-pop is still K-pop if sung in English. It also questions whether Korean artists should even be singing in English, since there are so many Western artists who already sing in, you know, English…
What follows is not only the story of Korean popular music, and how it birthed the K-pop business, but also how a small peninsula nation learned how to make art in the face of colonialism and political change, culled sonics from all corners of the globe, and keeps striving to find new ways of distilling the purest, most thrilling aspects of the human experience into four-minute packages of pop revelation. For Rolling Stone.
In this essay, writer Jae-Ha Kim celebrates BTS’s 10th anniversary as a group by looking at the dreams they achieved on behalf of the Korean diaspora. They rose to the top and took us with them.
In the final moments of the concert, the cameras seem to multiply, his cadence intensifies, the lights flash like paparazzi light bulbs. On the giant screen, surveillance-style footage captures him at a dozen different angles. It’s all fury and flame and breathless swagger; Suga can dance, Agust D prefers to stalk. And the last image we see is Min Yoongi, his retreating back, the house lights already up, a person at the very end of it all.
“It’s my dream to travel around the world and play with local musicians playing their traditional instruments,” Suga says in his documentary Suga: Road to D-Day. “It’s my dream to record them and make music based on that.” But he has trepidation, too. “I worry that I won’t have anything to talk about,” Suga says. “I have fears that I have no more dreams to follow.”
“j-hope IN THE BOX” is told in a non linear way, starting in Seoul 52 days before j-hope’s performance at Lollapalooza, where he made history as the festival’s first Korean headliner — a feat that even he found surprising. The lead up to the concert — which fans dubbed Hobipalooza — depicts the pain the rapper took to ensure that his debut as BTS’ first solo artist would be nothing short of perfection.
A year ago, Tablo wasn’t sure there would be another Epik High album. Now the Korean hip-hop star is ready to talk about it all — from their new EP, ‘Strawberry,’ to the trauma he faced from an online troll campaign, to his next collaboration with BTS’ RM. My exclusive interview for Rolling Stone.
The 79 Best K-Pop Songs of 2022, according to 79 journalists and pop culture writers … including me! My pick of the year? Jin’s “The Astronaut,” which preceded the BTS member’s military enlistment on Tuesday (December 13).