Journalist, Author & Syndicated Columnist
BTS’ RM went a little bit country late Wednesday night with “Seoul Town Road,” his surprise collaboration with Lil Nas X. Unlike Billy Ray Cyrus – who is featured on the latter’s chart-topping “Old Town Road” remix – the Korean rapper hasn’t dabbled in country music previously. Not the American genre, anyhow.
V and Park Seo-Joon. Jungkook and Yeo Jin-Goo. EXO’s D.O. and Jo In-Sung. Which are your favorite idol/actor bromances?
What do NCT 127’s Doyoung, BTS’ Jeon Jung-Kook and “Deadpool” himself, Ryan Reynolds, all have in common? The A-Listers have all appeared on “The King of Mask Singer.”
BTS will be back on the big screen this summer. The Korean pop group announced today that their latest feature film, “Bring the Soul: The Movie,” will have a global release on August 7. It arrives just six and a half months after the septet’s last film release, “Love Yourself in Seoul.”
One of the things I really enjoy about the Korean entertainment system is how idols are trained not just as singers, but also as actors. While most don’t pursue careers in television or film, almost all of them are comfortable promoting their groups on variety shows. Case in point: BTS!
BTS has figured out the most challenging aspect of stadium shows: how to make them feel intimate. Their boy-next-door charm, lively banter (in both English and Korean) and constant engagement with projected a warmth that reached the upper bleachers of Soldier Field. And even a language barrier doesn’t distract from the storytelling aspects of their songs: Most of the fans in the stadium tonight have long since translated the lyrics.
It has been a good week for BTS. On Wednesday (May 1), the South Korean group won two awards at the Billboard Music Awards (for top duo or group and best social artist). On Saturday (May 4), the septet kicked off its global “Love Yourself: Speak Yourself” stadium tour at the Rose Bowl Stadium in Pasadena, Calif. They will play the second of two consecutive sold-out nights on Sunday.
In 2013, BTS was just another Korean boy band signed to a small label that hardly anyone had heard of. Six years and a K-pop global explosion later, they are the most popular boy band in the world, which is why fans around the globe set their alarm clocks (or pulled all-nighters) to catch the global release of “Map of the Soul: Persona” at precisely 6 p.m. KST (2 a.m. PT/ 5 a.m. ET).
Since it’s 2010 premiere in South Korea, “Running Man” has been a weekly favorite. Though the ratings aren’t as high as it was during its heyday, the show still has a strong following of Korean and international fans. It also survived the departures of original cast members Song Joong-Ki and Gary. Though it’s difficult to narrow it down to just a few favorites, here are 5 episodes that I enjoyed very much!
When Big Hit Entertainment announced that it was launching a new boy band, the internet went wild digging for more information. Why? Because Big Hit is home to the world’s most famous boy band — BTS — and everyone wanted to know who TXT was.
ATEEZ is embarking on a sold-out tour of the United States (including dates in Los Angeles, Chicago and New York), which will be followed by a European leg. “I want to take in the sights of many cities,” says group leader Hongjoong, 20. “I want to visit the various landmarks in each city (like) Times Square in New York. If there’s time, I’d also like to attend other artists’ concerts.” Though the South Korean band is less than half a year old, their enthusiastic fan base initiated this tour via MyMusicTaste (https://www.mymusictaste.com), an online service that allows fans to request shows in their area.
Four years after “The King Of Mask Singer” premiered on MBC in South Korea, “The Masked Singer” made its U.S. debut on FOX. The American remake — in all its gaudy splendor — is a bonafide hit.
Before I watched “Hwarang: The Poet Warrior Youth,” I was looking forward to seeing how the romance between Dog Bird (Park Seo-Joon) and Ah-Ro (Go Ara) played out. But after the finale, I realized that what stuck with me wasn’t their tepid relationship, but that of the young men who formed a relationship — which at times was adversarial, but also based on friendship, honor and righteous morals. In other words, I was all about the poet warrior youth’s bromance.
Helmed by writer Kim Eun-Sook and director Lee Eung-Bok — who previously collaborated together on “Descendants of the Sun” and “Goblin: The Lonely and Great God” — the misleadingly named “Mr. Sunshine” does a beautiful job of juggling multiple story lines that are full of suspense, intrigue and achingly quiet romance.
“Burn the Stage: The Movie” is a taut, entertaining look at BTS — the world’s most famous boy band. While the music, choreography and comic elements will endear the group to moviegoers, it’s their kindness that I remembered long after I had left the theater.
I am feeling salty today. So grab a cup of hot tea (and maybe a slice of delicious cake to make this all go down better). There’s no shame in not speaking English perfectly as a foreign language. But it is obnoxious to use a person’s words specifically for the intent of shaming them.
A month ago, KPop For Thought contacted me, asking if I would like to answer a question for her online newsletter about K-Pop. And this is the question she sent me: “I always see you bonding with your son through K-pop on Twitter, and it’s such an amazing thing. In times where some people say that being over 18 is too old to like pop music, could you talk a bit about your experience as a K-pop fan and mother?”
In modern South Korea, pop stars and politics don’t often mix. While some hip-hop acts (such as Epik High) address controversial topics, many idol groups stick to a slick, apolitical formula with a proven record of success. BTS, who just became the first K-pop act ever to top the Billboard 200 album sales chart, have become a record-setting success story in part because of their willingness to buck this convention. My latest essay for Rolling Stone.
Moreso than any of the previous episodes of “Burn the Stage,” this finale is a love letter from BTS to their fans. The eight-part docu-series ended with “Spring Day” playing over the credits. As many of you already know, that song touches my core every single time I hear it, so I’m a little verklempt as I write this.
Having your music cut out mid-song is a living nightmare for musicians. But if you have the wherewithal to go with the flow with the good and the bad, those moments also can become a highlight of the evening. During a concert in Osaka last year, J-Hope was faced with exactly this dilemma. He describes it as the worst thing that can happen at a show. But he handled it with aplomb.