Journalist, Author & Syndicated Columnist
“I have and play video poker, and I still don’t win very often. I have a pinball machine in my basement that I bought when I was 15. My kids play Tiger Woods 2003 and Splinter Cell (on XBox).” -Rick Nielsen, lead guitarist for Cheap Trick
When we last spoke with Aaron Carter, he said he coveted his famous brother’s height. He’s almost there. The younger brother of Backstreet Boy Nick Carter stands at 6-foot-1. The 15-year-old Aaron will be in Chicago on Tuesday for an autograph session at Marshall Field’s State Street store followed by an all-ages concert at the House of Blues.
Cheap Trick has been rocking for over a quarter-century, more or less with the original lineup. None of the band members–guitarist Rick Nielsen, singer-rhythm guitarist Robin Zander, bassist Tom Petersson and drummer Bun E. Carlos–has changed much over the years: two are hot; two, well, are not. And, Zander’s vocals have only gotten stronger. The ubiquitous Nielsen–a co-owner of the Wicker Park eatery Piece–took time to chat about boy bands, living in Rockford and Billy Corgan.
Craig Nicholls, the diminutive frontman of the Vines, set the stage for Q101’s annual Twisted 9 megaconcert Sunday at the Allstate Arena when he lost his footing and fell into the photo pit early in the Vines’ half-hour set. Crawling back onstage, Nicholls threw his guitar around enough to show that while he was p.o.’d and embarrassed, he wasn’t hurt.
Aaron Carter is 14 years old, looks like a carbon copy of his big brother Nick of the Backstreet Boys and works the crowd with the savvy and finesse of a Vegas showman. That’s a dangerous combination when you’ve got an arena full of young girls who are hopped up on sugar and adrenaline. But guess what? This kid delivers. Give him a couple more years to pick better songs that cater to his rock ‘n’ roll sensibilities and there’s the potential for a career beyond the kid-pop phase.
Back in 1979, Cheap Trick didn’t have to beg anyone to want them. The power-pop quartet from Rockford was riding high on the phenomenal success of their fourth album, “Live at Budokan.” The hit album, recorded in Japan during a concert tour, spawned several Top 10 singles, including “I Want You To Want Me.” The buzz surrounding “Budokan” also taught the group that timing can be more important than substance. The studio version of the “Want You” song from 1977’s “In Color” album went nowhere fast.