Journalist, Author & Syndicated Columnist
“Alchemy of Souls” revolves around a nobleman who was born a mage, but had his powers taken away from him by his father, who may or may not actually be his father. The secret surrounding his birth runs throughout the series and is a source of contention for Uk, and rightfully so. Everyone deserves to know where they came from and these secrets that supposedly are for the child’s own good rarely are.
Park Ji-hoon is almost unrecognizable from his Wanna One days. Leading this cast, which also includes Choi Hyun-wook (Twenty Five Twenty One) and Hong Kyung (D.P.), Park is so intensely good as a bullied boy who uses classical conditioning (Pavlov’s Dog) and Newton’s Laws of Motions to fight back against his tormentors.
“The Dude In Me” is a 2019 Korean fantasy film that centers on a high-ranking gangster and a high school student. When the latter accidentally falls from his school roof, he lands on the mobster. While neither dies, the mishap somehow switches the pair’s bodies and minds. Now, wiseguy Pan-soo is trapped in the body of chubby and bullied teenager Dong-hyun, while Dong-hyun is stuck in Pan-soo’s comatose body.
“Seoul Vibe” is full of backstabbing, murder and mayhem. Director Moon Hyun-sung does a commendable job at keeping the plot moving, but he knows that the wild car chases are the key to this movie.
“The Roundup” is an action-packed sequel to the 2017 film “The Outlaws.” Often times brutal and very bloody, the movie also has its share of slapstick comedy thanks to its affable star Ma Dong-seok.
“Again My Life” stars Lee Joon-Gi as a prosecutor who gets a second chance at life … literally. He is smart, charming and (of course) ridiculously handsome. This series is a lot of fun to watch, especially if you like revenge dramas.
“Military Prosecutor Doberman” explores some of the same themes as last year’s superior “D.P.” — but with more fight scenes, comedy and shirtlessness, courtesy of the series star Ahn Bo-hyun (“Itaewon Class”). It also stars Jo Bo-ah as his kickass colleague who’s as full as vengeance as he is.
In 2008, South Korea held its first ever trial by jury in Dageu. In that trial, jurors deliberated for two hours before deciding that the 27-year-old man accused of robbing and assaulting a 70-year-old woman in her home was guilty. “Juror 8” is not a fictionalized version of those events. Rather, it’s a story about a man who plead guilty to murdering his mother and the first Korean jury that will determine his sentence.
Seung-Gyu is an upper middle class bank manager who’s driving his children to school. While the kids bicker in the backseat, he answers a phone he doesn’t recognize. At first, he assumes it’s his wife’s phone and that the caller is trolling. But when the calls don’t stop, he worries about the what ifs. What if the caller isn’t lying? What if a bomb really will explode if he gets out of his car? What if?
There’s a lot to unpack underneath the surface of Netflix’s hit zombie thriller. Here are six examples of how “All of Us Are Dead” utilizes the zombie genre to reflect on societal issues that are reflected around the world, with a focus on some issues unique to South Korea.
Seok-Bong and Joo-Bong are estranged brothers who reunite for their father’s funeral. Neither one remembers having a close relationship with anyone in their family and dread the thought of spending time with them.
I’m so used to seeing Jo Jung-Suk play the good guy (“Hospital Playlist,” “Oh My Ghost”) that it was fun to watch him chew up the scenery as a bad-boy rich guy who is brutal, immoral and nasty.
“Squid Game” is not this year’s “Parasite,” so much as it is a satire in the vein of “A Modest Proposal.” Just as Jonathan Swift pointed out the abject brutality of telling the poor to satiate their hunger by eating healthy, plump babies, Hwang depicts the cruelty of lording a huge sum of money – literally – over desperate people’s heads, knowing that most will die as they lived: penniless.
The series parable seems to be that if you have hate in your heart, you are susceptible to being influenced to hurt others, just because you can. “Bring It On, Ghost” started off as an uneven series. But once you get past the first couple episodes, it becomes a must-see K-drama that’s filled with action and a lot of heart.
As with Choi Jin-Hyuk’s previous police procedural, “Tunnel,” there are some convoluted plot issues that drag down “Rugal.” Choi is handsome and charismatic, but he can only do so much with so-so dialogue.
“Space Sweepers” has a lot of things going for it — great acting, cinematography, special effects. But once you’re done oohing and ahhing at the visual onslaught, it’ll sink in that what the film lacks is a cohesive storyline.
An espionage thriller with comedy and romance, “Man to Man” is a fun action thriller with great action scenes and a warm bromance. Park Hae-Jin is charming as the handsome ghost agent to whom everyone is attracted to.,
The showrunners behind “Vincenzo” took their time in letting the highly engaging story unfold in a believable way. Well, as believable a story as you can have about a Korean-born child who ends up becoming a consigliere for a top mafia don in Italy. This series is one of Song Joong-Ki’s strongest K-dramas.
The action sequences in “Vagabond” are thrilling and the plot is fast-paced and engaging. But the ending seems rushed, incomplete and utterly unsatisfying.
“Sweet Home” has some incredible highs. But unlike “Kingdom” or “Uncanny Counter,” where action supplements the storyline, “Sweet Home” has too much mediocre filler to make it a truly great K-drama.