Journalist, Author & Syndicated Columnist
In 2008, South Korea held its first ever trial by jury in Dageu. In that trial, jurors deliberated for two hours before deciding that the 27-year-old man accused of robbing and assaulting a 70-year-old woman in her home was guilty. “Juror 8” is not a fictionalized version of those events. Rather, it’s a story about a man who plead guilty to murdering his mother and the first Korean jury that will determine his sentence.
Seung-Gyu is an upper middle class bank manager who’s driving his children to school. While the kids bicker in the backseat, he answers a phone he doesn’t recognize. At first, he assumes it’s his wife’s phone and that the caller is trolling. But when the calls don’t stop, he worries about the what ifs. What if the caller isn’t lying? What if a bomb really will explode if he gets out of his car? What if?
There’s a lot to unpack underneath the surface of Netflix’s hit zombie thriller. Here are six examples of how “All of Us Are Dead” utilizes the zombie genre to reflect on societal issues that are reflected around the world, with a focus on some issues unique to South Korea.
There are still 18 days left until the end of the 2021 — and Gong Yoo’s “The Silent Sea” doesn’t even makes its premiere until December 24. But I don’t know that there will be a better K-drama this year than “Happiness.”
Seok-Bong and Joo-Bong are estranged brothers who reunite for their father’s funeral. Neither one remembers having a close relationship with anyone in their family and dread the thought of spending time with them.
I’m so used to seeing Jo Jung-Suk play the good guy (“Hospital Playlist,” “Oh My Ghost”) that it was fun to watch him chew up the scenery as a bad-boy rich guy who is brutal, immoral and nasty.
The series parable seems to be that if you have hate in your heart, you are susceptible to being influenced to hurt others, just because you can. “Bring It On, Ghost” started off as an uneven series. But once you get past the first couple episodes, it becomes a must-see K-drama that’s filled with action and a lot of heart.
As with Choi Jin-Hyuk’s previous police procedural, “Tunnel,” there are some convoluted plot issues that drag down “Rugal.” Choi is handsome and charismatic, but he can only do so much with so-so dialogue.
“Space Sweepers” has a lot of things going for it — great acting, cinematography, special effects. But once you’re done oohing and ahhing at the visual onslaught, it’ll sink in that what the film lacks is a cohesive storyline.
An espionage thriller with comedy and romance, “Man to Man” is a fun action thriller with great action scenes and a warm bromance. Park Hae-Jin is charming as the handsome ghost agent to whom everyone is attracted to.,