Journalist, Author & Syndicated Columnist
The showrunners behind “Vincenzo” took their time in letting the highly engaging story unfold in a believable way. Well, as believable a story as you can have about a Korean-born child who ends up becoming a consigliere for a top mafia don in Italy. This series is one of Song Joong-Ki’s strongest K-dramas.
The action sequences in “Vagabond” are thrilling and the plot is fast-paced and engaging. But the ending seems rushed, incomplete and utterly unsatisfying.
“Sweet Home” has some incredible highs. But unlike “Kingdom” or “Uncanny Counter,” where action supplements the storyline, “Sweet Home” has too much mediocre filler to make it a truly great K-drama.
Lee Isaac Chung is an astute filmmaker, who pays close attention to the smallest details. With “Minari,” he has created a universally relatable film, while inserting elements that are specifically Korean.
Well written and terrifically acted, “The Uncanny Counter” is suspenseful and heartwarming. And in a rarity for Korean dramas, there is no second lead syndrome romance to mess with the plot.
What “Peninsula” lacks in humanity is made up with spectacular car chases and firearms. Is it as good as “Train to Busan”? No, but it’s good enough, in a Hollywood shoot-em-up kind of way.
“Train to Busan” does a great job at depicting how people deal with death during unthinkable times. When your loved one is infected and your only option is to perish (as human beings) with them or kill them so that you (and others) can survive, what would you do?
A couple months after the series finale aired, I still find myself missing the characters in the superb K-Drama, “Crash Landing on You.”
“Itaewon Class” is one of those rare K-Dramas where I disliked both female leads for different reasons. But it just goes to show that a good series doesn’t need a loveline to hold the viewer’s interest.
A unique series that kept me guessing until the end, “Memories of the Alhambra” starts off with a strong, intriguing premise: A teenage videogame developer has created an addictive world of augmented reality (AR), where players interact seamlessly with medieval warriors. Gamers go to real-life places (e.g. restrooms in neighborhood bars) to acquire weapons, which are only visible to people wearing special optical lenses.