“Vincenzo” (빈센조)

The showrunners behind “Vincenzo” took their time in letting the highly engaging story unfold in a believable way. Well, as believable a story as you can have about a Korean-born child who ends up becoming a consigliere for a top mafia don in Italy. This series is one of Song Joong-Ki’s strongest K-dramas.

“Sweet Home” (스위트홈)

“Sweet Home” has some incredible highs. But unlike “Kingdom” or “Uncanny Counter,” where action supplements the storyline, “Sweet Home” has too much mediocre filler to make it a truly great K-drama.

“Minari”: Deconstructing the American Dream

Lee Isaac Chung is an astute filmmaker, who pays close attention to the smallest details. With “Minari,” he has created a universally relatable film, while inserting elements that are specifically Korean.

“The Uncanny Counter” (경이로운 소문)

Well written and terrifically acted, “The Uncanny Counter” is suspenseful and heartwarming. And in a rarity for Korean dramas, there is no second lead syndrome romance to mess with the plot.

“Train to Busan” (부산행)

“Train to Busan” does a great job at depicting how people deal with death during unthinkable times. When your loved one is infected and your only option is to perish (as human beings) with them or kill them so that you (and others) can survive, what would you do?

“Crash Landing on You” (사랑의 불시착)

A couple months after the series finale aired, I still find myself missing the characters in the superb K-Drama, “Crash Landing on You.”