“Family By Choice” (조립식 가족)

If there’s one thing this K-drama gets across, it’s that keeping secrets from children about their own history is never the way to go.
Journalist, Author & Syndicated Columnist
If there’s one thing this K-drama gets across, it’s that keeping secrets from children about their own history is never the way to go.
Former high school rivals Jeong-woo (Park Hyung-sik) and Ha-neul (Park Shin-hye) form a truce as adults after both face slumps in their medical careers.
Set in Jeju-do/제주도, “Welcome to Samdal-ri” explores the relationship between childhood best friends Yong-pil (Chang-wook) and Sam-dal (Shin Hye-sun). From the time she was a child, Sam-dal wanted to escape her small town and make a name for herself as a photographer in Seoul. The two dated for a while, with Yong-pil happy to follow her to the bit city and support her dreams.
You’ve seen the cold male chaebol/warm, hardworking female combo before in many popular K-dramas (including “Business Proposal” and “Oh My Venus”). But Im Yoon-ah and Lee Jun-ho are so charismatic and easy to watch in “King the Land” that they add a fresh touch to an old concept.
“Agency” tackles the old boys’ club. It also addresses the expectations placed on women at work and at home.
At the center of this series is a trio of middle-aged male friends. Sung-han (Cho Seung-woo) is a classical pianist turned divorce attorney. Kim Sung-kyun plays his best friend Hyung-geun, who is reticent to give his wife — who is already pregnant with her new partner’s baby — a divorce. And Jeong-sik (Jung Moon-sung) runs a real estate business in a building owned by Sung-han.
The “Green Mothers’ Club” revolves around a group of moms whose lives are spent pushing their young children to academic excess. They spend money they don’t have on after-school hagwons for extra tutoring. And they clique together and take turns turning on whichever mom has been deemed the weakest for that week. Ultimately, the young lives they’re trying to elevate are the ones who suffer.
답답해. That’s the first feeling that comes to mind when I think of the K-drama “The Interest of Love.” The entire series is about a group of broken people who can’t articulate how they feel and are in a constant state of unhappiness because of this.
Describing “Reborn Rich” is tricky without giving away the ending. Is this K-drama a time-traveling thriller? Or a revenge series with the poor battling the obscenely wealthy? Maybe it’s a tale of repentance? It’s all that and more. Smart and calculated without resorting to tired tropes, “Reborn Rich” offers powerhouse performances by Song Joong-ki (in two roles) and master actor Lee Sung-min (“Misaeng”), who at just 54, convincingly portrays the former’s grandfather.
This second season of “Hello, My Twenties!” is entertaining, but suffers a bit from too-much-going-on syndrome, as well as the recasting of a central character.
“Hello, My Twenties!” follows the lives of five college roommates ranging in age from 18 to 28. Eun-jae is a meek freshman who’s too shy to ask an upperclassman to return her pen and much too afraid to tell her roommates not to eat all of the homemade preserves her mother sent her off with. Ye-eun is a culinary arts student who’s more interested in her inattentive boyfriend than anything else. Ji-won is an eccentric journalism major (haha!) who says she can see a ghost in their apartment. Yi-na has a series of older, rich boyfriends and doesn’t seem to be studying much of anything other than her shoe collection. And at 28, Jin-myung’s live revolves around working three part-time jobs to pay for her tuition and pay off her family’s bills.
“My Liberation Notes” is very beautifully executed in presenting a slice of life that doesn’t offer a fairy-tale ending … or offer finite solutions to ease the characters’ lives. But what this K-drama does do is allow for growth. Who the characters are at the start of the series is not who they are by the finale, and that’s a good thing.
“Thirty-nine” is a reminder that while we’ve all made mistakes in our lives, we can’t continue to punish ourselves forever. Life is short. There is no guarantee of a tomorrow. Be honest and live your best life.
“Sisyphus: The Myth” has an intriguing premise, in which an inventor creates a time machine. And as with many time travel stories, you have to suspend your belief in reality to enjoy this production.
“Inspector Koo” starts off strong, with a whip-smart teenage serial killer manipulating her victims, teachers and the police. She is as much a sociopath as a psychopath, which is explained away during a backstory that involves childhood trauma.
In many ways, “Nevertheless” is a primer for how women are manipulated into diminishing their own wants and desires for a man.
Hwang Jung-Eum is one of my absolute favorite actresses. I love everything about her, especially the forthright way she delivers her dialogue. Her chemistry with both leading men is on point and viewers can see the family-like dynamics shared by the trio. Choi Won-Young and Yook Sun-Jae are superb actors whose subtle (and overt) mannerisms speak to viewers without them having to utter a word.
Lee Jung-Jae and Shin Min-A star as a political dream team working for opposing candidates. He is a former police officer, whose goal it is to become an assemblyman. She was an attorney and on-air journalist before becoming an assemblywoman.
“Beyond Evil” is one weird (in an interesting way) Korean series that centers on the search for a serial killer, who murdered multiple women — including the protagonist’s younger sister. Virtually all the major characters are suspects at one point or another, with damning evidence that has been carefully weaved into the storyline.