Journalist, Author & Syndicated Columnist
“My Liberation Notes” is very beautifully executed in presenting a slice of life that doesn’t offer a fairy-tale ending … or offer finite solutions to ease the characters’ lives. But what this K-drama does do is allow for growth. Who the characters are at the start of the series is not who they are by the finale, and that’s a good thing.
“Thirty-nine” is a reminder that while we’ve all made mistakes in our lives, we can’t continue to punish ourselves forever. Life is short. There is no guarantee of a tomorrow. Be honest and live your best life.
“Sisyphus: The Myth” has an intriguing premise, in which an inventor creates a time machine. And as with many time travel stories, you have to suspend your belief in reality to enjoy this production.
“Inspector Koo” starts off strong, with a whip-smart teenage serial killer manipulating her victims, teachers and the police. She is as much a sociopath as a psychopath, which is explained away during a backstory that involves childhood trauma.
In many ways, “Nevertheless” is a primer for how women are manipulated into diminishing their own wants and desires for a man.
Hwang Jung-Eum is one of my absolute favorite actresses. I love everything about her, especially the forthright way she delivers her dialogue. Her chemistry with both leading men is on point and viewers can see the family-like dynamics shared by the trio. Choi Won-Young and Yook Sun-Jae are superb actors whose subtle (and overt) mannerisms speak to viewers without them having to utter a word.
Lee Jung-Jae and Shin Min-A star as a political dream team working for opposing candidates. He is a former police officer, whose goal it is to become an assemblyman. She was an attorney and on-air journalist before becoming an assemblywoman.
“Beyond Evil” is one weird (in an interesting way) Korean series that centers on the search for a serial killer, who murdered multiple women — including the protagonist’s younger sister. Virtually all the major characters are suspects at one point or another, with damning evidence that has been carefully weaved into the storyline.
There are several subplots percolating in “Run On,” but the most interesting was the bullying, especially in light of the accusations of real-life bullying scandals surrounding idols and actors. This K-drama offers a perspective that bullying is a part of Korean hierarchy, and those with wealthy and powerful parents won’t be punished. Those who are poor and powerless won’t get justice.
A team of doctors struggle against a conglomeration that is set on privatizing their hospital to optimize profit. As Lee Dong-Wook’s character points out, the chaebol in charge wants to turn the hospital into something that only the wealthy can afford.