“The Law Cafe” (법대로 사랑하라)

“The Law Cafe” is a cute K-drama centering on a couple that has always been in love with each other, but doesn’t realize it. Or, rather, is unwilling to acknowledge it. Jeong-ho is a former prosecutor who quit his job after a scandal was covered up. Yu-ri is his fearless childhood friend — also an attorney — whose passion lies in helping powerless people get justice.

“When the Camellia Blooms” (동백꽃 필 무렵)

“When the Camellia Blooms” starts off with so many things happening at once that it’s initially difficult to focus on all the different story arcs: a serial killer, small-town pettiness, marital issues and the possibility of romance. But as the series progressed, each consecutive episode found its focus and finished with a sweet and satisfying finale that felt true to the characters. There is death and sadness dotted throughout the series. But at its core, “Camellia” is a story of love — not just between a man and a woman, but between parents and their children.

“Love in the Moonlight” (구르미 그린 달빛)

Second lead syndrome is strong in “Love in the Moonlight.” And although it’s obvious from the beginning who will end up with the girl, I honestly would’ve been fine with either. Are you #TeamBoGum or #TeamJinYoung?!

Can “Doctor Prisoner” and “My Fellow Citizens” create a hit for KBS?

Quick! Off the top of your head, which K-Dramas have been talked about the most in recent years? If you said “Sky Castle,” “Reply 1988,” “Guardian: The Lonely and Great God,” “Mr. Sunshine” and “100 Days My Prince,” you would be correct. And something they all have in common is that they aired on Korea’s cable television.

Revisiting “Hwarang” (V: It’s Definitely You)

Before I watched  “Hwarang: The Poet Warrior Youth,” I was looking forward to seeing how the romance between Dog Bird (Park Seo-Joon) and Ah-Ro (Go Ara) played out. But after the finale, I realized that what stuck with me wasn’t their tepid relationship, but that of the young men who formed a relationship — which at times was adversarial, but also based on friendship, honor and righteous morals. In other words, I was all about the poet warrior youth’s bromance.

“School 2013” (학교 2013)

I watched this series, because I was curious to see how well Lee Jong-Suk acted early on in his career. Answer: He was very good, even in a so-so K-Drama. “School 2013” tackles many serious topics — bullying, suicide, overbearing parents — but if you want to watch a superior film about Korean high school students, opt for “Once Upon a Time in High School.”

“Healer” (힐러)

A smart, 20-episode series that was well cast, it offered intrigue, action, comedy and a bittersweet love story that ends in such a way that the viewer is left assured that the couple stays together forever. This is also one of the rare Korean dramas I’ve seen where the lead characters aren’t involved in a love triangle (though there is a sub-plot where unrequited love between secondary cast members plays a role).

“Hwarang” (화랑: 더 비기닝)

“You get to decide what kind of King you are going to be.” Don’t remember that line from “Hwarang”? That’s because it’s a quote from the blockbuster film, “Black Panther.” When the newly crowned king, T’challa, worries about how he will rule over his subjects, Nakia tells him, “You cannot let your father’s actions define your life.

“Go Back Couple” (고백부부)

If you could go back to your past, would you? And, if so, what would you change? That’s the premise for “Go Back Couple,” a thoroughly-enjoyable drama filled with charismatic leads and a plot that is both funny and touching — especially for those of us who are already parents.

“Fight for My Way” (쌈 마이웨이)

One of the things I enjoy about Korean dramas is that many tend to focus of the main characters’ childhood friendships and how that camaraderie evolves into their adulthood. Such is the case here, where four friends grow up with each other and, eventually, end up falling in and out of love with each other.

“Boys Over Flowers” (꽃보다 남자)

I had a difficult time reconciling myself with the fact that I enjoyed “Boys Over Flowers,” while being disgusted that the showrunners never addressed how cruel the main characters were to kids outside of their circle.

“Big” (빅)

Let’s cut to the chase: the plot revolves around a high school student and a doctor who switch bodies after an accident. Yoon-Jae, the 30something doctor is in a vegetative state in the body of 17-year-old Kyung-Joon. Meanwhile, the teenager is alive and well, but he is trapped in the buff body belonging to Gong Yoo, er, I mean Yoon-Jae. Caught between these two is Gil Da-Ran, a wet dishrag of a woman, who (despite her beauty) has absolutely no confidence in herself. When she realizes that Yoon-Jae really isn’t Yoon-Jae and that it may take a while for the two to switch bodies again, she plays along with the charade.

“Uncontrollably Fond” (함부로 애틋하게)

What would you do if you knew that you had three months left to live? Would you spend it with the ones you love, or would you try to right the wrongs in which you played a part? That’s the dilemma for Korea’s top Hallyu star Joon-Young, who is dying. I don’t feel bad about revealing this bit of information, because it’s revealed early on in this series.

“Descendants of the Sun” (태양의 후예)

Production on “Descendants of the Sun” began just three months after Song Joong-Ki finished his mandatory two-year military duty in Korea. He displays an easygoing flair in the role of the charismatic leader of the Alpha Team. Even bulked up (for him), Song is slight of build and baby faced. At times, I wondered whether someone like So Ji-Sub would’ve been better cast in the role. But, what he lacks in brawn, Song makes up with magnetism. He has one of those faces that the camera loves.

“Dream High” (드림하이)

“Dream High” is one of those series that starts off with a ridiculous premise. But, if you stick with it, you’ll be amused, angered and (at times) deeply touched. Yes, this is a glossy high school musical with a love triangle. But it also deals with child abandonment, sexual assault and the abuse of children by the system set in place to manufacture “idols.” This isn’t just a Korea thing. Think about all the American boy band members who have revealed how they were abused by their predatory management.