“If You Wish Upon Me” (당신이 소원을 말하면)

Set in a hospice, the point of “If You Wish Upon Me” isn’t that the dying can only leave this world if they have a wish fulfilled. Rather, sometimes they need peace of mind before they’ll allow themselves to go.
Journalist, Author & Syndicated Columnist
Set in a hospice, the point of “If You Wish Upon Me” isn’t that the dying can only leave this world if they have a wish fulfilled. Rather, sometimes they need peace of mind before they’ll allow themselves to go.
One reason for the popularity of “Doctor Prisoner” may be that it has incorporated some real-life news into its story arcs, similar to how American shows such as “Law & Order” draw ideas from sensational headlines.
“The Law Cafe” is a cute K-drama centering on a couple that has always been in love with each other, but doesn’t realize it. Or, rather, is unwilling to acknowledge it. Jeong-ho is a former prosecutor who quit his job after a scandal was covered up. Yu-ri is his fearless childhood friend — also an attorney — whose passion lies in helping powerless people get justice.
“Hello, Me!” is about Ha-Ni, a high school beauty who seemed destined for success. Instead, she grows up to become a mouse-of-a woman who has lost her drive, popularity and — seemingly most importantly — her looks. Through some miraculous force, 16-year-old Ha-Ni appears in modern day Ha-Ni’s life, causing confusion for everyone concerned.
“Do Do Sol Sol La La Sol” had a promising start that was spoiled by an ending that came out of nowhere.
The Korean adaptation of “Suits” is an exciting series that shows off Park Hyung-Sik’s acting range and beautifully expressive face.
Jung Hae-In’s adventures in New York are delightful to watch. Here’s hoping he does another season. I know his international fans would love to travel with him vicariously to explore South Korea next.
Jung Hae-In is known for acting in popular K-Dramas such as “While You Were Sleeping,” “Pretty Noona Who Buys Me Food,” “Blood,” and “One Spring Night. But he’s also a documentarian who produced and starred in the reality series, “Jung Hae-In’s Travel Log.”
“When the Camellia Blooms” starts off with so many things happening at once that it’s initially difficult to focus on all the different story arcs: a serial killer, small-town pettiness, marital issues and the possibility of romance. But as the series progressed, each consecutive episode found its focus and finished with a sweet and satisfying finale that felt true to the characters. There is death and sadness dotted throughout the series. But at its core, “Camellia” is a story of love — not just between a man and a woman, but between parents and their children.
“One More Time” was Kim Myung-Soo’s first lead role. Best known to K-Pop fans as L from the group Infinite, he certainly had the look of a singer-songwriter-guitarist down pat. With a better script and direction, he could’ve really done something with this part. But as it was, Tan was an unsympathetic character who was old enough to be responsible, but too immature to give up his rock ‘n roll lifestyle to pay off his considerable debts.
Second lead syndrome is strong in “Love in the Moonlight.” And although it’s obvious from the beginning who will end up with the girl, I honestly would’ve been fine with either. Are you #TeamBoGum or #TeamJinYoung?!
Remember that last post when we wondered whether KBS — or KBS2 in this case — could have a hit with either “Doctor Prisoner” or “My Fellow Citizens!” It turns out that they could!
Quick! Off the top of your head, which K-Dramas have been talked about the most in recent years? If you said “Sky Castle,” “Reply 1988,” “Guardian: The Lonely and Great God,” “Mr. Sunshine” and “100 Days My Prince,” you would be correct. And something they all have in common is that they aired on Korea’s cable television.
Before I watched “Hwarang: The Poet Warrior Youth,” I was looking forward to seeing how the romance between Dog Bird (Park Seo-Joon) and Ah-Ro (Go Ara) played out. But after the finale, I realized that what stuck with me wasn’t their tepid relationship, but that of the young men who formed a relationship — which at times was adversarial, but also based on friendship, honor and righteous morals. In other words, I was all about the poet warrior youth’s bromance.
A smart, 20-episode series that was well cast, it offered intrigue, action, comedy and a bittersweet love story that ends in such a way that the viewer is left assured that the couple stays together forever. This is also one of the rare Korean dramas I’ve seen where the lead characters aren’t involved in a love triangle (though there is a sub-plot where unrequited love between secondary cast members plays a role).
“You get to decide what kind of King you are going to be.” Don’t remember that line from “Hwarang”? That’s because it’s a quote from the blockbuster film, “Black Panther.” When the newly crowned king, T’challa, worries about how he will rule over his subjects, Nakia tells him, “You cannot let your father’s actions define your life.
If you could go back to your past, would you? And, if so, what would you change? That’s the premise for “Go Back Couple,” a thoroughly-enjoyable drama filled with charismatic leads and a plot that is both funny and touching — especially for those of us who are already parents.
One of the things I enjoy about Korean dramas is that many tend to focus of the main characters’ childhood friendships and how that camaraderie evolves into their adulthood. Such is the case here, where four friends grow up with each other and, eventually, end up falling in and out of love with each other.
I had a difficult time reconciling myself with the fact that I enjoyed “Boys Over Flowers,” while being disgusted that the showrunners never addressed how cruel the main characters were to kids outside of their circle.
Let’s cut to the chase: the plot revolves around a high school student and a doctor who switch bodies after an accident. Yoon-Jae, the 30something doctor is in a vegetative state in the body of 17-year-old Kyung-Joon. Meanwhile, the teenager is alive and well, but he is trapped in the buff body belonging to Gong Yoo, er, I mean Yoon-Jae. Caught between these two is Gil Da-Ran, a wet dishrag of a woman, who (despite her beauty) has absolutely no confidence in herself. When she realizes that Yoon-Jae really isn’t Yoon-Jae and that it may take a while for the two to switch bodies again, she plays along with the charade.