Journalist, Author & Syndicated Columnist
One of the best K-dramas of the year, “Queenmaker” is the latest female-centric series led by women in their 40s (and older) that in nail-bitingly good. A political thriller with twists and turns, two foes unite to take down a corrupt chaebol family that will stop at nothing to protect their financial and familial interests.
In the superb “Return to Seoul” – which is Cambodia’s Oscar entry for the Best International Film category – French Cambodian filmmaker Davy Chou (“Golden Slumbers”) takes a look at what it means to be an adoptee who unexpectedly is reunited with her birth parents.
“The Silent Sea” is based on director Choi Hang-Yong’s short film of the same name. Starring Bae Doona and Gong Yoo, the eight-part series is set on the moon, where the astronauts have been tasked with recovering research from the previous mission.
The action sequences in “Vagabond” are thrilling and the plot is fast-paced and engaging. But the ending seems rushed, incomplete and utterly unsatisfying.
If half the things that happened in “Kkondae Intern” occurred at a fraternity hazing, people would be incensed. But it seems to be accepted…at least in K-Dramas…that this is just how workplaces are in South Korea.
The masterminds behind the superb “Reply” anthology produced another hit series with “Hospital Playlist,” centering around a quintet of long-time friends who are all doctors for the same prestigious hospital.
A couple months after the series finale aired, I still find myself missing the characters in the superb K-Drama, “Crash Landing on You.”
“When the Camellia Blooms” starts off with so many things happening at once that it’s initially difficult to focus on all the different story arcs: a serial killer, small-town pettiness, marital issues and the possibility of romance. But as the series progressed, each consecutive episode found its focus and finished with a sweet and satisfying finale that felt true to the characters. There is death and sadness dotted throughout the series. But at its core, “Camellia” is a story of love — not just between a man and a woman, but between parents and their children.
“Her Private Life” starts off as a clever comedy about Sung Duk-Mi — a cultured art curator who also is a diehard fangirl. But it also deftly tackles child abandonment, reunification and forgiveness. The concept of what constitutes a family was a recurring theme. It was refreshing to see that relationships based on bloodlines weren’t the only ones valued and that families are sometimes borne from tragic circumstances.
I could go on and on about the romance elements. But because I knew the lead character would be fine regardless of who she chose — and that the men would be OK as well — I was more fascinated by the dynamics at the workplace and how difficult it can be for women to juggle being a mom with having a job outside of the home.